How can we narrate grief? Can we really rationalise death? Pain cannot be told in the present, only in the past; however, Mella chooses to narrate it in the future, as if everything bad is about to happen further down the line, until something reminds him that the future actually arrived a long time ago.
During the summer of 2014, on one of the stormiest days on record to hit the coast of Uruguay, 31-year old Alejandro, lifeguard and younger brother of our protagonist, dies after being hit by lightning. Combining memoir and fiction, this novel is the urgent exploration of the brotherly bond, and the effects that death has on our inner circles. An exploration that takes the author back into his past, and right into the centre of his obsessions.
'If I can t be free in my writing, I cannot be free anywhere else', admits the narrator towards the end of this fascinating book that interweaves fiction with brotherhood and grief at the centre of family relations.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Daniel Mella (Montevideo, Uruguay, 1976) is one of the key figures of contemporary Uruguayan literature. At 21, he published Pogo (1997), his first novel, which would be followed by Derretimiento (1998), recently republished in Spain, Noviembre (2000) and the book of short stories Lava (2013), awarded the Bartolomé Hidalgo Prize, the most prestigious literary prize in Uruguay. El hermano mayor is his latest book and it has been praised by critics in Uruguay, Argentina and Spain. It has also won the Bartolomé Hidaldo Prize (2017).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. "This slim and vital novel is a tour de force; it will floor you, and lift you right the way up-I adored it." -Claire-Louise Bennett , author of PONDDuring the summer of 2014, on one of the stormiest days on record to hit the coast of Uruguay, 31-year old Alejandro, lifeguard and younger brother of our protagonist and narrator, dies after being struck by lightning. This marks the opening of a novel that combines memoir and fiction, unveiling an intimate exploration of the brotherly bond, while laying bare the effects that death can have on those closest to us and also on ourselves.It's always the happiest and most talented who die young. People who die young are always the happiest of all.Can grief be put into words? Can we truly rationalise death to the point of embracing it? Older Brother is the vehicle Mella uses to tackle these fundamental questions, playing with tenses and narrating in the future, as if all calamities described are yet to unfold. In a style reminiscent of Bret Easton Ellis and J.D. Salinger, recalling in parts Cronenberg's or Burgess's examination of violence and society, Mella takes us with him in this dizzying journey right into the centre of his own neurosis and obsessions, where fatality is skilfully used to progressively draw the reader further in. N° de réf. du vendeur LU-9781999859343
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Paperback. Etat : New. "This slim and vital novel is a tour de force; it will floor you, and lift you right the way up-I adored it." -Claire-Louise Bennett , author of PONDDuring the summer of 2014, on one of the stormiest days on record to hit the coast of Uruguay, 31-year old Alejandro, lifeguard and younger brother of our protagonist and narrator, dies after being struck by lightning. This marks the opening of a novel that combines memoir and fiction, unveiling an intimate exploration of the brotherly bond, while laying bare the effects that death can have on those closest to us and also on ourselves.It's always the happiest and most talented who die young. People who die young are always the happiest of all.Can grief be put into words? Can we truly rationalise death to the point of embracing it? Older Brother is the vehicle Mella uses to tackle these fundamental questions, playing with tenses and narrating in the future, as if all calamities described are yet to unfold. In a style reminiscent of Bret Easton Ellis and J.D. Salinger, recalling in parts Cronenberg's or Burgess's examination of violence and society, Mella takes us with him in this dizzying journey right into the centre of his own neurosis and obsessions, where fatality is skilfully used to progressively draw the reader further in. N° de réf. du vendeur LU-9781999859343
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