En 1677, Phèdre, la dernière grande tragédie de Racine, met en scène la mythique descente aux enfers d'une incomprise. Vouée au malheur par son hérédité, Phèdre aime sans espoir son beau-fils Hippolyte. Lorsque son mari, Thésée, revient, il envoie injustement son fils à la mort. On assiste alors à l'empoisonnement d'une femme à la fois innocente et coupable. Ironie tragique qui démontre à quel point l'amour peut se vivre comme une malédiction.
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1639 - 1699. Orphelin, il est recueilli par les religieuses de Port-Royal, où il reçoit une éducation janséniste. Après avoir tenté de concilier ses aspirations littéraires avec la carrière ecclésiastique, il se consacre au théâtre. Il fait jouer la Thébaïde (1664), puis Alexandre le Grand (1665), mais c'est le succès de la tragédie Andromaque (1667) qui assure sa réputation. Il donne ensuite Britannicus (1669), Bérénice (1670), Bajazet (1672), Mithridate (1673), Iphigénie en Aulide (1674), Phèdre (1677). Nommé historiographe du roi, réconcilié avec les jansénistes, il renonce alors au théâtre. Mais, à la demande de Mme de Maintenon, il écrit encore pour les élèves de Saint-Cyr les tragédies bibliques Esther (1689) et Athalie (1691). Le théâtre de Racine peint la passion comme une force fatale, qui détruit celui qui en est possédé. Réalisant l'idéal de la tragédie classique, il présente une action simple, claire, dont les péripéties naissent de la passion même des personnages. Racine a aussi écrit une comédie, les Plaideurs (1668), spirituelle critique des moeurs judiciaires. (Académie française.)
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : BooksRun, Philadelphia, PA, Etats-Unis
Pocket Book. Etat : Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. N° de réf. du vendeur 2035859166-7-1
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Vendeur : BooksRun, Philadelphia, PA, Etats-Unis
Pocket Book. Etat : Very Good. 0. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. N° de réf. du vendeur 2035859166-11-1
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Very Good. A lean, high-tension version of a classic tragedy. The myth of Phaedra is one of the most powerful in all of classical mythology. As dramatized by the French playwright Jean Racine (1639-99), the dying Queen's obsessive love for her stepson, Hippolytus, and the scrupulously upright Hippolytus' love for the forbidden beauty Aricia has come to be known as one of the great stories of tragic infatuation, a tale of love strong enough to bring down a kingdom. In this tough, unrhyming avalanche of a translation (Paul Taylor, The Independent), Hughes replaces Racine's alexandrines with an English verse that serves eloquently to convey the passions of his protagonists. The translation was performed to acclaim in London in 1998, and the London production, starring Diana Rigg, was staged in 1999 at the Brooklyn Academy of Music. We are still catching up with Ted Hughes's gift for narrative verse after his Tales from Ovid, one English critic observed after the London premiere. Little needs to happen on stage when there's a swirling action-packed disaster movie-riddled with sex and violence-in Hughes's free verse. N° de réf. du vendeur CIN2035859166VG
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Fair. A lean, high-tension version of a classic tragedy. The myth of Phaedra is one of the most powerful in all of classical mythology. As dramatized by the French playwright Jean Racine (1639-99), the dying Queen's obsessive love for her stepson, Hippolytus, and the scrupulously upright Hippolytus' love for the forbidden beauty Aricia has come to be known as one of the great stories of tragic infatuation, a tale of love strong enough to bring down a kingdom. In this tough, unrhyming avalanche of a translation (Paul Taylor, The Independent), Hughes replaces Racine's alexandrines with an English verse that serves eloquently to convey the passions of his protagonists. The translation was performed to acclaim in London in 1998, and the London production, starring Diana Rigg, was staged in 1999 at the Brooklyn Academy of Music. We are still catching up with Ted Hughes's gift for narrative verse after his Tales from Ovid, one English critic observed after the London premiere. Little needs to happen on stage when there's a swirling action-packed disaster movie-riddled with sex and violence-in Hughes's free verse. N° de réf. du vendeur CIN2035859166A
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
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Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
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Etat : Good. latest Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur GRP78529402
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Good. A lean, high-tension version of a classic tragedy. The myth of Phaedra is one of the most powerful in all of classical mythology. As dramatized by the French playwright Jean Racine (1639-99), the dying Queen's obsessive love for her stepson, Hippolytus, and the scrupulously upright Hippolytus' love for the forbidden beauty Aricia has come to be known as one of the great stories of tragic infatuation, a tale of love strong enough to bring down a kingdom. In this tough, unrhyming avalanche of a translation (Paul Taylor, The Independent), Hughes replaces Racine's alexandrines with an English verse that serves eloquently to convey the passions of his protagonists. The translation was performed to acclaim in London in 1998, and the London production, starring Diana Rigg, was staged in 1999 at the Brooklyn Academy of Music. We are still catching up with Ted Hughes's gift for narrative verse after his Tales from Ovid, one English critic observed after the London premiere. Little needs to happen on stage when there's a swirling action-packed disaster movie-riddled with sex and violence-in Hughes's free verse. N° de réf. du vendeur CIN2035859166G
Quantité disponible : 1 disponible(s)
Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Fair. A lean, high-tension version of a classic tragedy. The myth of Phaedra is one of the most powerful in all of classical mythology. As dramatized by the French playwright Jean Racine (1639-99), the dying Queen's obsessive love for her stepson, Hippolytus, and the scrupulously upright Hippolytus' love for the forbidden beauty Aricia has come to be known as one of the great stories of tragic infatuation, a tale of love strong enough to bring down a kingdom. In this tough, unrhyming avalanche of a translation (Paul Taylor, The Independent), Hughes replaces Racine's alexandrines with an English verse that serves eloquently to convey the passions of his protagonists. The translation was performed to acclaim in London in 1998, and the London production, starring Diana Rigg, was staged in 1999 at the Brooklyn Academy of Music. We are still catching up with Ted Hughes's gift for narrative verse after his Tales from Ovid, one English critic observed after the London premiere. Little needs to happen on stage when there's a swirling action-packed disaster movie-riddled with sex and violence-in Hughes's free verse. N° de réf. du vendeur CIN2035859166A
Quantité disponible : 1 disponible(s)