Pour la 59ème édition de la Biennale de Venise, le Pavillon libanais expose deux artistes contemporains libanais, Danielle Arbid et Ayman Baalbaki, au sein de l'exposition "Le Monde à l'image de l'homme". La vidéo Allô Chérie de Danielle Arbid, cinéaste et vidéaste issue de la diaspora, installée à Paris, résonne avec Janus Gate d'Ayman Baalbaki, peintre qui vit et travaille à Beyrouth. Au sein de son installation monumentale, Ayman Baalbaki crée une oeuvre incarnant le processus de fragmentation subi par la ville de Beyrouth suite au retour des barrières et barricades dans son espace urbain. Le catalogue rassemble plusieurs articles facilitant l'appréhension de ces deux oeuvres, et marque le retour du Pavillon libanais à la Biennale de Venise après 5 ans d'absence.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
For the 59th edition of the Venice Biennale, the Lebanese Pavilion exhibits two Lebanese contemporary artists, Danielle Arbid and Ayman Baalbaki, in the exhibition The World in the Image of Man.
The dialogue between these two artists is characterized by different geographical and aesthetic points of view: the video Allô Chérie by Danielle Arbid, a filmmaker and video artist who emigrated to Paris, interacts with Janus Gate by Ayman Baalbaki, a painter who lives and works in Beirut. Within his monumental installation, Ayman Baalbaki creates a work embodying the process of fragmentation suffered by the city of Beirut due to the return of barriers and barricades in its streets. The movement of the door of Janus, which is alternately wide open, shuttered or closed, responds to the mother of the artist's frantic race car through Beirut. The video is organized in a split screen, enhancing the impression of a divided city. The soundtrack is composed of snatches of negotiations on the phone accounting for a fractured city in the midst of uncertainty.
The catalogue gathers several articles facilitating the apprehension of these two artists and marks the return of the Lebanese Pavilion to the Venice Biennale after 5 years of absence.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. For the 59th edition of the Venice Biennale, the Lebanese Pavilion exhibits two Lebanese contemporary artists, Danielle Arbid and Ayman Baalbaki, in the exhibition The World in the Image of Man.The dialogue between these two artists is characterized by different geographical and aesthetic points of view: the video Allo Cherie by Danielle Arbid, a filmmaker and video artist who emigrated to Paris, interacts with Janus Gate by Ayman Baalbaki, a painter who lives and works in Beirut. Within his monumental installation, Ayman Baalbaki creates a work embodying the process of fragmentation suffered by the city of Beirut due to the return of barriers and barricades in its streets. The movement of the door of Janus, which is alternately wide open, shuttered or closed, responds to the mother of the artist's frantic race car through Beirut. The video is organized in a split screen, enhancing the impression of a divided city. The soundtrack is composed of snatches of negotiations on the phone accounting for a fractured city in the midst of uncertainty.The catalogue gathers several articles facilitating the apprehension of these two artists and marks the return of the Lebanese Pavilion to the Venice Biennale after 5 years of absence. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9782370741929
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