Keep Distance, est un journal visuel dans lequel Boris Mikhaïlov nous entraîne dans une marche trouble et vertigineuse. Composée d’images récentes mêlées à des photos plus anciennes, la série avance comme un traveling mental, où cadrages instables et fragments décalés perturbent notre regard et brouillent nos certitudes. Scènes de rue, objets du quotidien et captures d’écran se croisent avec des portraits plus intimes : ceux de Vita, son épouse et collaboratrice, de ses enfants et de son intérieur. Rien n’est neutre ; chaque image se place à la lisière du hors-champ. Le titre Keep Distance agit comme un avertissement. Mais de quoi prendre ses distances ? Du monde chaotique qui affleure dans ces visions, du passé qui insiste et hante chaque image. Mikhaïlov y oppose une forme de légèreté, un espace où le jeu demeure possible. Le projet prolonge ses thèmes essentiels : la tension entre présence et effacement, la beauté surgissant du banal, et la photographie comme rempart contre l’oubli.
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Hardcover. Etat : new. Hardcover. In Keep Distance, Boris Mikhailov leads us on a wild,dizzying ride from which we emerge slightly breathless andunsteady. Acting as a kind of visual logbook, the series iscomposed primarily of recent images (20202024) with someolder photos mixed in. It has all the appearance of a mentaltracking shot, one in which fragmentary or haphazardlyframed images unsettle our gaze to such a degree that wefind ourselves doubting what we see.Street scenes, everyday objects and screenshots combinewith more intimate portraits: of his wife and collaboratorVita, his children, his inner life. The framing is always a littleunstable, on the edge of leaving something out of shot,never neutral.The title, Keep Distance, acts as a warning. We keep ourdistance, then but what from? Visions of a world fastlosing all meaning? An obstinate past, the reminiscences ofwhich haunt every image? Like Mikhailov, it is up to us tofind some lightness amid all this gravity, a space for play.Keep Distance pursues the photographers long-standingobsessions: the constant tension between presence andself-effacement, between the banality of the things we seeand an unrelenting quest for beauty. It is a space in whichphotography becomes a tool against oblivion, against theend, against indifference.Jimmy Poulot-Cazajous is a doctoral student in CreativeWriting at the University of Toulouse Jean-Jaures, where hisresearch focuses on the phenomenological poetics of time inthe work of Jean-Philippe Toussaint. He is the founder of themagazine La Coudee, and currently at work on a collectionof short stories. For Keep Distance, he has crafted a piece offiction that melds snapshots of intimacy with the kinds ofmotifs that so appeal to Boris Mikhailov: everyday life, thespectacularization of the banal, and how current events atonce trivial and tragic erupt into our online existences. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9782493467096
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Hardback. Etat : New. In Keep Distance, Boris Mikhaïlov leads us on a wild,dizzying ride from which we emerge slightly breathless andunsteady. Acting as a kind of visual logbook, the series iscomposed primarily of recent images (2020-2024) with someolder photos mixed in. It has all the appearance of a mentaltracking shot, one in which fragmentary or haphazardlyframed images unsettle our gaze to such a degree that wefind ourselves doubting what we see.Street scenes, everyday objects and screenshots combinewith more intimate portraits: of his wife and collaboratorVita, his children, his inner life. The framing is always a littleunstable, on the edge of leaving something out of shot,never neutral.The title, Keep Distance, acts as a warning. We keep ourdistance, then - but what from? Visions of a world fastlosing all meaning? An obstinate past, the reminiscences ofwhich haunt every image? Like Mikhaïlov, it is up to us tofind some lightness amid all this gravity, a space for play.Keep Distance pursues the photographer's long-standingobsessions: the constant tension between presence andself-effacement, between the banality of the things we seeand an unrelenting quest for beauty. It is a space in whichphotography becomes a tool against oblivion, against theend, against indifference.Jimmy Poulot-Cazajous is a doctoral student in CreativeWriting at the University of Toulouse Jean-Jaurès, where hisresearch focuses on the phenomenological poetics of time inthe work of Jean-Philippe Toussaint. He is the founder of themagazine La Coudée, and currently at work on a collectionof short stories. For Keep Distance, he has crafted a piece offiction that melds snapshots of intimacy with the kinds ofmotifs that so appeal to Boris Mikhaïlov: everyday life, thespectacularization of the banal, and how current events - atonce trivial and tragic - erupt into our online existences. N° de réf. du vendeur LU-9782493467096
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