Alexander Calder's (1898-1976) history with Cahiers d'Art began in the 1930s, when Christian Zervos first published the American artist's work. In the years that followed, Calder appeared in several notable issues, including the 1939 essay Mobiles en mouvement and the 1945 portrait of Gabrielle Buffet Sandy Calder, forgeron lunaire. This new book continues this long friendship and explores Calder's wild and irreverent vision of chess. At the heart of the book is The Knightmares Portfolio, nearly fifty ink drawings created in 1944. Calder's kings, queens, knights, bishops, rooks, and pawns abandon the rules entirely, embracing mischief, seduction, violence, and absurdity. The volume is enriched with archival photographs, original ephemera, and detailed documentation of Calder's sculptural chess sets. It also analyses the decades-long friendship between Calder and Duchamp, as well as their collaboration on the exhibition The Imagery of Chess. A selective chronology (1931-1968) traces the evolution of the two artists' shared fascination with chess as a metaphor, a means of expression and an ongoing quest.
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Chess Knightmares is a cycle of nearly four dozen unbridled drawings by Calder of wild chess scenarios, created in 1944. Bawdy female knights, conspiring bishops, and misbehaving queens engage clueless rooks, lewd pawns, and mating kings. They unleash an otherwise regulated game into frenzied conflicts of immorality, with executions and sexual mishaps.
Calder's chess pieces have kicked off all constraints. They move any way they like. They pose, preen and prance across the chess board, giddily engaging i
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Hardcover. Etat : new. Hardcover. A sumptuous compendium of Alexander Calder's chess works, with ephemera and archival materials This handsome volume celebrates Alexander Calder's fascination with the game of chess. It comprises two parts: the first presents The Knightmares Portfolio, an approximation of an unrealized publication conceived in 1944 but never published. It comprises 46 chess drawings by Calder inscribed with titles, alternate titles and puns by Duchamp, Mary Reynolds and Calder. The second part of the book features scholarly and experimental texts from Alexander S. C. Rower and Jed Pearl, exploring such topics as Calder's relationship with Marcel Duchamp (who was famously obsessed with chess) and his involvement in the 1944 exhibition The Imagery of Chess at Julien Levy Gallery. Archival documentation, ephemera and reproductions of Calder's chess sets-including photographs of each chess piece and related works on paper-are also featured. A detailed chronology by Susan Brauer Dam completes this rich corpus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9782851173188
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