In-4 dos carré collé sous couverture rempliée, (24,2 * 30,5 cm), 87 pages, reproductions en couleur et en noir et blanc ; très bon état.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Fr/Angl/All. 87 p. 24x30 illustr. NB et Coul : catalogue de l'expo au Magasin du 3 juin au 2 septembre 2001
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Atlantic Bookshop, Brooklyn, NY, Etats-Unis
Soft cover. Etat : Very Good. 1st Edition. 4to, flapped card covers, 87pp., ills. Exhibition catalogue for the KW/PS1/Magasin show. Texts in German, English, and French. VG+: a clean, bright and sound copy. N° de réf. du vendeur ATLMBSaSPS1
Quantité disponible : 1 disponible(s)
Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover, 88 pages; in English, French and German; very condition; small crease to upper right corner of cover and first few pages; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur MoBoP.50
Quantité disponible : 1 disponible(s)
Vendeur : West Cove UK, Wellington, Royaume-Uni
Softcover. Etat : Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Tate Gallery Information room sticker in front. Written in dual language including Softcover. English. Pub Year 2001, See images for condition. About the book >.>.> Monica Bonvicini: Scream and Shake explores the significant contributions of the artist Monica Bonvicini, who has been a notable presence at PS.1 since 1997. With a focus on her interventions and the politics surrounding architecture, Bonvicini interrogates the interplay of power, gender, and spatial dynamics. Her body of work critically examines how architecture often reinforces male-dominated power structures rather than celebrating its aesthetic qualities.Through her first photographs capturing the imposing world of corporate architecture, Bonvicini highlights the thematic exploration of sexual politics within space. Her installations convey a sense of architectural anxiety, reflecting on the fragility and impermanence of constructed environments. The artist?s exploration extends to the boundaries between public and private spaces and the licit and illicit, revealing how gender roles shape societal perceptions and experiences of these categories. Rather than merely altering physical spaces, Bonvicini challenges the viewer's comfort and interaction with the environment itself, using strategies such as manipulating interiors and employing industrial elements that disrupt traditional notions of minimalism.Bonvicini?s critique of the coercive elements inherent in the minimalist aesthetic contributes significantly to the discourse on contemporary public and private spaces. The exhibition at PS.1 includes the first American retrospective survey of her work, showcasing her commitment to exploring the intersections of architecture, gender, and societal norms. This comprehensive examination reflects her ongoing influence and dedication within the art world. N° de réf. du vendeur Batch-FM701-VG-14187
Quantité disponible : 1 disponible(s)