All Too Human: Laughter, Humor, and Comedy in Nineteenth-Century Philosophy - Couverture souple

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9783030082277: All Too Human: Laughter, Humor, and Comedy in Nineteenth-Century Philosophy

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ISBN 10 : 303008227X ISBN 13 : 9783030082277

Editeur : Springer, 2019

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Is the only book dealing with philosophies of humor, comedy, and laughter in the 19^th Century

Helps distinguish among aesthetic categories such as humor, comedy, laughter, irony, wit, and satire

Considers compelling and under-researched questions in the dynamic history of 19^th Century philosophy

Les informations fournies dans la section � Synopsis � peuvent faire r�f�rence � une autre �dition de ce titre.

� propos de l'auteur

Lydia L. Moland is Associate Professor of Philosophy at Colby College. She is the author of "Hegel on Political Identity: Patriotism, National Identity, Cosmopolitanism" and of numerous articles on Hegel's political philosophy and philosophy of art. She has been a recipient of fellowships from the American Academy of Berlin, the DAAD, the American Council of Learned Societies, and the National Endowment for the Humanities.

Les informations fournies dans la section � A propos du livre � peuvent faire r�f�rence � une autre �dition de ce titre.

�diteur: Springer
Date d'�dition: 2019
Langue: anglais
ISBN 10: 303008227X
ISBN 13: 9783030082277
Reliure: Broch�
Nombre de pages: 212
�diteur: Moland Lydia L.
Coordonn�es du fabricant: GPSR Kontakt
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Slevogtstra�e 3-5
Heidelberg
69126
Allemagne

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Moland, Lydia L.

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Lydia L. Moland

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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book offers an analysis of humor, comedy, and laughter as philosophical topics in the 19th Century. It traces the introduction of humor as a new aesthetic category inspired by Laurence Sterne's 'Tristram Shandy' and shows Sterne's deep influence on German aesthetic theorists of this period. Through differentiating humor from comedy, the book suggests important distinctions within the aesthetic philosophies of G.W.F. Hegel, Karl Solger, and Jean Paul Richter. The book links Kant's underdeveloped incongruity theory of laughter to Schopenhauer's more complete account and identifies humor's place in the pessimistic philosophy of Julius Bahnsen. It considers how caricature functioned at the intersection of politics, aesthetics, and ethics in Karl Rosenkranz's work, and how Kierkegaard and Nietzsche made humor central not only to their philosophical content but also to its style. The book concludes with an explication of French philosopher Henri Bergson's claim that laughter is a response to mechanical inelasticity. 212 pp. Englisch. N� de r�f. du vendeur 9783030082277

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All Too Human: Laughter, Humor, and Comedy in Nineteenth-Century Philosophy (Boston Studies in Philosophy, Religion and Public Life, 7)

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All Too Human: Laughter, Humor, and Comedy in Nineteenth-Century Philosophy: 7 (Boston Studies in Philosophy, Religion and Public Life)

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All Too Human | Laughter, Humor, and Comedy in Nineteenth-Century Philosophy

Lydia L. Moland

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All Too Human

Lydia L. Moland

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ISBN 10 : 303008227X ISBN 13 : 9783030082277

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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -Is the only book dealing with philosophies of humor, comedy, and laughter in the 19th CenturyHelps distinguish among aesthetic categories such as humor, comedy, laughter, irony, wit, and satireConsiders compelling and under-researched questions in the dynamic history of 19th Century philosophySpringer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 212 pp. Englisch. N� de r�f. du vendeur 9783030082277

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All Too Human : Laughter, Humor, and Comedy in Nineteenth-Century Philosophy

Lydia L. Moland

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ISBN 10 : 303008227X ISBN 13 : 9783030082277

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Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - This book offers an analysis of humor, comedy, and laughter as philosophical topics in the 19th Century. It traces the introduction of humor as a new aesthetic category inspired by Laurence Sterne's 'Tristram Shandy' and shows Sterne's deep influence on German aesthetic theorists of this period. Through differentiating humor from comedy, the book suggests important distinctions within the aesthetic philosophies of G.W.F. Hegel, Karl Solger, and Jean Paul Richter. The book links Kant's underdeveloped incongruity theory of laughter to Schopenhauer's more complete account and identifies humor's place in the pessimistic philosophy of Julius Bahnsen. It considers how caricature functioned at the intersection of politics, aesthetics, and ethics in Karl Rosenkranz's work, and how Kierkegaard and Nietzsche made humor central not only to their philosophical content but also to its style. The book concludes with an explication of French philosopher Henri Bergson's claim that laughter is a response to mechanical inelasticity. N� de r�f. du vendeur 9783030082277

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