Synopsis
Part 1: Conceptualising the screen work: ideas, intentions, contexts
Chapter 1
Creative filmmaking processes, procedures and practices: Embodied and internalised filmmaking agency
Susan Kerrigan and Phillip McIntyre
Commission, position and production: Intent and intervention in minority language programmes
Diane MacLean
Chapter 3
Having something to say and saying it well
Stephen Sewell and Ben Crisp
Chapter 4
Understanding the underlying principles of the short film
Michael Sergi and Craig Batty
Chapter 5
Two screenplays, one writer, national voice
Rose Ferrell
Chapter 6
Off screen: Re-imagining animation
Rose Woodcock, Lienors Torre and Eiichi Tosaki
Chapter 7
The Dr Egg Adventures: Incorporating user-generated content and user-testing strategies in pre-production conceptualization and development of a multi-platform storyworld
Catherine Fargher
Chapter 8
Taking place, screening place: Studying locations in television drama production
Kim Toft Hansen and Anne Marit Waade
Chapter 9
Wayfaring, co-presence and mobility: Conceptualising and re-conceptualising with smartphones
Jess Kilby and Marsha Berry
Part 2: Developing the screen work: collaboration, imagination, distillation
Chapter 10
Writing bodies: developing and scripting an embodied feature film screenplay
Kath Dooley
Chapter 11
Putting theory into practice: Structuring the personal essay documentary, The Silences
Margot Nash
Chapter 12
Work-in-progress: The Writing of Shortchanged
Margaret McVeigh
Chapter 13
Developing Baxter and Me: Maintaining authorial voice against industry pressures
Gillian Leahy
Chapter 14
Writers, producers and creative entrepreneurship in web series development
Steinar Ellingsen and Stayci Taylor
Chapter 15
Local content producers: Co-creating communal stories and community in the Big Stories, Small Towns participatory documentary project
Martin Potter
Chapter 16
Creative Practice: A Love Story
Phoebe Hart
Chapter 17
Creating and designing the contemporary soundtrack: A case study
Damian Candusso
Chapter 18
The (braided) documentary voice: theorising the complexities of documentary making
Willemien Sanders and Kate Nash
Chapter 19
Editing the observed: Evaluation and value creation processes in the editing of a feature documentary filmAlastair Cole
Chapter 20
The beginning of a beautiful relationship: A case study exploration of collaborative creative practice
Shreepali Patel, Rob Toulson and Luis Azuaje
Chapter 21
"Make it in post": Digital visual effects and the temporality of creative value in post-production
Tara Lomax
Chapter 22
Trapped: A case study of international co-production
Rosamund Davies
Chapter 23
Production practices in the filming of German scripted reality shows
Daniel Klug and Axel Schmidt
Chapter 24
Embracing the TV commercial: Charms and challenges of selling on screen
Ben Crockett
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
