1. Introduction; Daniel McNeil, Yana Meerzon, and David Dean.- 2. Precarious Bodies in Performance Activism and Theatres of Migration; Yana Meerzon.- 3. Spectacular Bodies, Unsettling Objects: Material Performance as Intervention in Stereotypes of Refugees; Laura Purcell Gates.- 4. Theatrical Border Crossings: Stereotypes against Realism in the Plays of Young Jean Lee; Kee-Yoon Nahm.- 5. The Suitcase as a Neurotic Container in the Israeli Theatre: The Return of the Wandering Jew; Sarit Cofman-Simhon.- 6. Keeping the Candle Aflame: Andrey Tarkovsky's Search for Spirituality in a Foreign Land; J. Douglas Clayton.- 7. Read Her Lips: The Ban against Wearing the Niqab and Burqa at the Canadian Citizenship Ceremony 2011-2015; Zaheeda Alibhai.- 8. Tasting the nation: Food, Identity, and Belonging in Canada; Helin Burkay and David Dean.- 9. Mobility and Cultural Citizenship: The Making of a Senegalese Diaspora in Multiethnic Brazil; Gana Ndiaye.- 10. Performance Patterns and Athletic Migration during the Rio 2016 Summer Olympic Games; Peter Kuling.- 11. Forced Migration, Memory, and Testimony; Nimo Bokore.- 12. Claiming Their Voice: Foreign Memories on the Post-Brexit British; Kasia Lech.- 13. Challenging Stereotypes: Moving Dreams and the Italian Community of Peterborough, U.K.; Ida Cassilli.- 14. Breaking Stereotypes: Afrika! and In the Waiting room of the Dreams: Two Theatrical Projects with Refugees in German Border Cities Close to France; Georgiou Michalis.- 15. Mapping Memory Routes - a Multisensory Digital Approach to Art, Migration and Critical Heritage Studies.
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Yana Meerzon, Department of Theatre, University of Ottawa, Canada, has published on theatre of exile and migration, and cultural and interdisciplinary studies. Her books include A Path of the Character: Michael Chekhov's Inspired Acting and Theatre Semiotics (2005) and Performing Exile - Performing Self: Drama, Theatre, Film (2012).
David Dean is Professor of History at Carleton University, Canada, and co-director of the Carleton Centre for Public History working especially on performances of the past in contemporary society. Co-editor of the journal International Public History, his most recent book is A Companion to Public History (2018)
Daniel McNeil is the inaugural Public Humanities Fellow at the University of Toronto, Canada, and an Associate Professor of History at Carleton University. A former holder of the Ida B. Wells-Barnett Visiting Professorship of African and Black Diaspora Studies at DePaulUniversity, his books include Sex and Race in the Black Atlantic (2010).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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