This book explores the sublime in Samuel Taylor Coleridge's later major prose in relation to more recent theories of the sublime. Building on the author's previous monograph Sublime Coleridge: The Opus Maximum, this study focuses on sublime theory and discourse in Coleridge's other major prose texts of the 1820s: Confessions of an Inquiring Spirit (wr. 1824), Aids to Reflection (1825), and On the Constitution of the Church and State (1829). This book thus ponders the constellations of aesthetics, literature, religion, and politics in the sublime theory and practice of this central Romantic author and three of his important successors: Julia Kristeva, Theodor Adorno, and Jacques Rancière.
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Murray J. Evans is Professor Emeritus of English at the University of Winnipeg and Retired Fellow at St John's College, University of Manitoba, Canada. He has taught medieval literature and medievalism, Coleridge, children's literature, "Inklings" C.S. Lewis et al., literary history, and literary theory. He is the author of Rereading Middle English Romance (1995) and Sublime Coleridge: The Opus Maximum (Palgrave, 2012) and has also published essays on Malory and the Malory manuscript, Chaucer, Piers Plowman, Coleridge, and C.S. Lewis.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book explores the sublime in Samuel Taylor Coleridge's later major prose in relation to more recent theories of the sublime. Building on the author's previous monographSublime Coleridge: The Opus Maximum, this study focuses on sublime theory and discourse in Coleridge's other major prose texts of the 1820s:Confessions of an Inquiring Spirit(wr. 1824),Aids to Reflection(1825), andOn the Constitution of the Church and State(1829). Thisbookthus ponders the constellations of aesthetics, literature, religion, and politics in the sublime theory and practice of this central Romantic author and three of his important successors: Julia Kristeva, Theodor Adorno, and Jacques Rancière. 240 pp. Englisch. N° de réf. du vendeur 9783031255267
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Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - This book explores the sublime in Samuel Taylor Coleridge's later major prose in relation to more recent theories of the sublime. Building on the author's previous monographSublime Coleridge: The Opus Maximum, this study focuses on sublime theory and discourse in Coleridge's other major prose texts of the 1820s:Confessions of an Inquiring Spirit(wr. 1824),Aids to Reflection(1825), andOn the Constitution of the Church and State(1829). Thisbookthus ponders the constellations of aesthetics, literature, religion, and politics in the sublime theory and practice of this central Romantic author and three of his important successors: Julia Kristeva, Theodor Adorno, and Jacques Rancière. N° de réf. du vendeur 9783031255267
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Buch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book explores the sublime in Samuel Taylor Coleridge¿s later major prose in relation to more recent theories of the sublime. Building on the author¿s previous monograph Sublime Coleridge: The Opus Maximum, this study focuses on sublime theory and discourse in Coleridge¿s other major prose texts of the 1820s: Confessions of an Inquiring Spirit (wr. 1824), Aids to Reflection (1825), and On the Constitution of the Church and State (1829). This book thus ponders the constellations of aesthetics, literature, religion, and politics in the sublime theory and practice of this central Romantic author and three of his important successors: Julia Kristeva, Theodor Adorno, and Jacques Rancière.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 240 pp. Englisch. N° de réf. du vendeur 9783031255267
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