This book traces the shifting politics of race in contemporary Britain through analysis of screen comedy that has worked to parrot, cloak or confront racist discourse. Moving from 1950s minstrelsy through to contemporary streaming-era content, Ilott demonstrates how race is made and unmade through screen comedy’s engagements with the tacit (and often racist) premises of British multicultural discourse. Chapters on the romcom, sitcom and police comedy read selected films and TV shows as counter-narratives on British multiculturalism, intervening in popular discourse that constructs interracial romance as spelling hope for the future, the Black neighbour as inherently threatening, or racially minoritised communities as disproportionately criminal. Drawing on decolonial, critical race and cultural studies perspectives, the study reimagines humour theory as a vehicle for interpreting the affective, political and epistemological significance of comedy to shape processes of racialisation and national identity construction.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Sarah Ilott is a Senior Lecturer in English and Film at Manchester Metropolitan University, UK. She co-leads the Centre for Migration and Postcolonial Studies at MMU and the comedy and gender research network Mixed Bill.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : California Books, Miami, FL, Etats-Unis
Etat : New. N° de réf. du vendeur I-9783032241245
Quantité disponible : Plus de 20 disponibles
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2026. hardcover. . . . . . N° de réf. du vendeur V9783032241245
Quantité disponible : 15 disponible(s)
Vendeur : moluna, Greven, Allemagne
Etat : New. N° de réf. du vendeur 2983464618
Quantité disponible : Plus de 20 disponibles
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - This book traces the shifting politics of race in contemporary Britain through analysis of screen comedy that has worked to parrot, cloak or confront racist discourse. Moving from 1950s minstrelsy through to contemporary streaming-era content, Ilott demonstrates how race is made and unmade through screen comedy s engagements with the tacit (and often racist) premises of British multicultural discourse. Chapters on the romcom, sitcom and police comedy read selected films and TV shows as counter-narratives on British multiculturalism, intervening in popular discourse that constructs interracial romance as spelling hope for the future, the Black neighbour as inherently threatening, or racially minoritised communities as disproportionately criminal. Drawing on decolonial, critical race and cultural studies perspectives, the study reimagines humour theory as a vehicle for interpreting the affective, political and epistemological significance of comedy to shape processes of racialisation and national identity construction. N° de réf. du vendeur 9783032241245
Quantité disponible : 2 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 361 pages. 5.83x0.94x8.27 inches. In Stock. N° de réf. du vendeur x-3032241243
Quantité disponible : 2 disponible(s)
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. 2026. hardcover. . . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9783032241245
Quantité disponible : 15 disponible(s)