This volume of texts and images has evolved from papers given at the inaugural Making Sense colloquium, which was held at the University of Cambridge in September 2009. The chapters collected here reflect the multi-dimensional and interdisciplinary sense made at this event, which became something of an artistic installation in itself. The essay ‘Making Sense' by Jean-Luc Nancy provided the grand finale for the colloquium and is also the culmination of the volume. The collection also includes articles that expound and critique Nancean theory, as well as those that provide challenging manifestos or question the divide between artist and artisan. The volume contrasts works that use texts to make sense of the world with performance pieces that question the sense of theory and seek to make sense through craft, plastic art or painting. By juxtaposing works of pure theory with pieces that incorporate poetry, prose and performance, the book presents the reader with a distillation of the creative act.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Lorna Collins is a PhD student in French philosophy at the University of Cambridge, where she is a Foundation Scholar at Jesus College. Her philosophical work develops the concept of Making Sense through the aesthetic theories of Gilles Deleuze and Félix Guattari, Jean-Luc Nancy, Jacques Rancière and Bernard Stiegler. Elizabeth Rush is a PhD student in modern languages at the University of Cambridge. She is currently researching representations of care in Spanish and French fiction written between 1890 and 1930, focusing on J.K. Huysmans, André Gide, Ramón del Valle-Inclán and Gabriel Miró.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : Good. Volume 33. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. With owner's name inside cover. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9783034307178. N° de réf. du vendeur 9835869
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. Volume 33. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9783034307178. N° de réf. du vendeur 9894467
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9783034307178. N° de réf. du vendeur 9547255
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Paperback. Etat : New. This volume of texts and images has evolved from papers given at the inaugural Making Sense colloquium, which was held at the University of Cambridge in September 2009. The chapters collected here reflect the multi-dimensional and interdisciplinary sense made at this event, which became something of an artistic installation in itself. The essay 'Making Sense' by Jean-Luc Nancy provided the grand finale for the colloquium and is also the culmination of the volume. The collection also includes articles that expound and critique Nancean theory, as well as those that provide challenging manifestos or question the divide between artist and artisan. The volume contrasts works that use texts to make sense of the world with performance pieces that question the sense of theory and seek to make sense through craft, plastic art or painting. By juxtaposing works of pure theory with pieces that incorporate poetry, prose and performance, the book presents the reader with a distillation of the creative act. N° de réf. du vendeur LU-9783034307178
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Paperback. Etat : new. Paperback. This volume of texts and images has evolved from papers given at the inaugural Making Sense colloquium, which was held at the University of Cambridge in September 2009. The chapters collected here reflect the multi-dimensional and interdisciplinary sense made at this event, which became something of an artistic installation in itself. The essay Making Sense by Jean-Luc Nancy provided the grand finale for the colloquium and is also the culmination of the volume. The collection also includes articles that expound and critique Nancean theory, as well as those that provide challenging manifestos or question the divide between artist and artisan. The volume contrasts works that use texts to make sense of the world with performance pieces that question the sense of theory and seek to make sense through craft, plastic art or painting. By juxtaposing works of pure theory with pieces that incorporate poetry, prose and performance, the book presents the reader with a distillation of the creative act. Offers texts and images that has evolved from papers given at the inaugural Making Sense colloquium, which was held at the University of Cambridge in September 2009. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783034307178
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