Since its beginnings in the middle of the 19th century, fashion has been narrated through multiple media, both visual and verbal, and for such different purposes as marketing and advertising, art, costume history, social research and cultural dissemination. In this light, fashion has represented an important piece of material culture in modern industrial urban societies and in postcolonial and non-western contexts. Today, we are witnessing a turn in this imaginary as issues related to social, environmental and cultural sustainability come to predominate in many areas of human activity.
The book addresses this challenge. By facilitating encounters between disciplines and cultures, it explores a multitude of fashion issues, practices and views that feed the contemporary fashion imaginary: local cultures, linguistic codes, TV series, movies, magazines, ads, blogs, bodily practices. The book deals with a paramount issue for fashion studies: how do the production and circulation of fashion imaginary come about in the 21st century?
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Emanuela Mora is a Full Professor of Sociology of Culture and Communication in the School for Political and Social Sciences at the UniversitaÌ Cattolica del Sacro Cuore of Milan (Italy), where she coordinates the Doctorate School in Sociology and is member of the Direction Board of ModaCult, Centre for Fashion and Cultural Production Studies. She is a Co-Editor-in-chief of the International Journal of Fashion Studies published by Intellect Books.
Marco Pedroni is an Associate Professor of Sociology of Culture at the eCampus University (Italy), School of Law. Formerly he was a Research Fellow and an Adjunct Professor at the University of Bergamo, an Adjunct Professor at the Politecnico of Milan, and a Post-doctoral Research Fellow at the Università Cattolica of Milan.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Softcover, 22 cm. Etat : Sehr gut. 464 pp., 10 b/w ill., 16 coloured ill., 15 b/w tables, 3 coloured tables. A perfect copy. - Summary: Since its beginnings in the middle of the 19th century, fashion has been narrated through multiple media, both visual and verbal, and for such different purposes as marketing and advertising, art, costume history, social research and cultural dissemination. In this light, fashion has represented an important piece of material culture in modern industrial urban societies and in postcolonial and non-western contexts. Today, we are witnessing a turn in this imaginary as issues related to social, environmental and cultural sustainability come to predominate in many areas of human activity. The book addresses this challenge. By facilitating encounters between disciplines and cultures, it explores a multitude of fashion issues, practices and views that feed the contemporary fashion imaginary: local cultures, linguistic codes, TV series, movies, magazines, ads, blogs, bodily practices. The book deals with a paramount issue for fashion studies: how do the production and circulation of fashion imaginary come about in the 21st century? - Table of Contents: New frontiers of the fashion imaginary (Emanuela Mora / Marco Pedroni) -- Part 1: Fashion and the media -- Fashion fandom and TV quality drama: From poaching to everyday identity performance through Pinterest (Romana Andò) -- Dressed in politics: The use of costumes in Game of Thrones (Luisa Valeriani) -- Second life community and global citizenship: A fashion tale of a virtual empire (Phylis Johnson) -- Is the golden era of fashion blogs over? An analysis of the Italian and Spanish fields of fashion blogging (Marco Pedroni / Teresa Sádaba / Patricia SanMiguel) -- Lady Dior: Brand values in fashion films (Marina Ramos-Serrano / Gema Macías-Muñoz) -- Kaleidoscopes of cloth and canvas: A phenomenological approach to fashion on the cinematic red carpet (Eugenie Maria Theuer) -- Behind-the-scenes: Framing fashion and the limits of the documentary mode (Nick Rees-Roberts) -- Part 2: Fashion in the making -- The re-invention of Made in Italy goods: Italian know-how in product innovation in the work of three Italian women Crafters (Cecilia Winterhalter) -- Emerging Chinese fashion brands: The silent revolution? (Monia Massarini / Rubens Pauluzzo) -- Shifting perspectives on sustainable supply chain management in the fashion business (Marco Ricchetti / Karan Khurana) -- Sustainable consciousness and consumer identity: Legal tools and rules (Valentina Jacometti) -- Part 3: Politics of Fashion -- On fashion and illusions: Designing interpassive Indianness for India's rich (Tereza Kuldova) -- Human rights in fashion creations, production and branding: A genuine policy or a marketing strategy? (Lígia Carvalho Abreu) -- Protecting the dignity of women in fashion advertisement: The new legal initiatives in a comparative law perspective (Barbara Pozzo) -- Performing authenticity through fashion: Sartorial contestations of Hindu-Guyanese Indianness and the creation of the Indian 'other' (Sinah Theres Kloß) -- Brazilian fashion: Dichotomies and perspectives of resistance (Cristiana Katagiri / Virginia Abreu Borges) -- Part 4: Fashion languages -- Fashion, journalism and linguistic design: A case study of the wedding dresses (Maria Catricalà) -- Is Vogue like Vogue all around the world? A comparison of Facebook posts of Vogue France, Italy, Netherlands, Portugal, and United Kingdom (Manuela Caniato) -- Television clothing commercials for tweens in transition: A comparative analysis in Italy and Spain (Gevisa La Rocca / Maddalena Fedele) -- Tattooing, body and beauty (Alessandra Castellani). ISBN 9783034327879 Sprache: Englisch Gewicht in Gramm: 635. N° de réf. du vendeur 1085944
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Since its beginnings in the middle of the 19th century, fashion has been narrated through multiple media, both visual and verbal, and for such different purposes as marketing and advertising, art, costume history, social research and cultural dissemination. In this light, fashion has represented an important piece of material culture in modern industrial urban societies and in postcolonial and non-western contexts. Today, we are witnessing a turn in this imaginary as issues related to social, environmental and cultural sustainability come to predominate in many areas of human activity.The book addresses this challenge. By facilitating encounters between disciplines and cultures, it explores a multitude of fashion issues, practices and views that feed the contemporary fashion imaginary: local cultures, linguistic codes, TV series, movies, magazines, ads, blogs, bodily practices. The book deals with a paramount issue for fashion studies: how do the production and circulation of fashion imaginary come about in the 21st century 464 pp. Englisch. N° de réf. du vendeur 9783034327879
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Today, we are witnessing a turn in the fashion imaginary as issues related to social, environmental and cultural sustainability come to predominate in many areas of human activity. The book explores a multitude of fashion issues that feed the contemporary f. N° de réf. du vendeur 156037433
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