Venetian playwright and pioneer of modern theatre Carlo Goldoni (1707-1793) led a 'double life' as a librettist, authoring nearly as many libretti as comedies- libretti which, born from the same mind and the same hand that brought forth his famous, and famously controversial, overhaul of the practices of comic theatre, could not but push the limits of the standing tradition to open a new chapter in opera history. Goldoni became one of the first to give shape to the dramma giocoso per musica, an innovative, realistic, and enduring new genre with intimate connections to prose comedy that met with overwhelming international success, becoming the foundation for the works of future generations, including W. A. Mozart and his Italian librettist Lorenzo da Ponte. Perhaps because of his stature and influence as a comic playwright, Goldoni has rarely been considered as an innovator in the musical sphere. This study aims to shed new light on his primary role in the evolution of Classical opera, and on the legacy of his innovations in the European musical tradition.
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Vendeur : Borkert, Schwarz und Zerfaß GbR, Berlin, Allemagne
Softcover. Etat : Sehr gut. 172 pp. A perfect copy. - Summary: Venetian playwright and pioneer of modern theatre Carlo Goldoni (1707-1793) led a double life as a librettist, authoring nearly as many libretti as comedies- libretti which, born from the same mind and the same hand that brought forth his famous, and famously controversial, overhaul of the practices of comic theatre, could not but push the limits of the standing tradition to open a new chapter in opera history. Goldoni became one of the first to give shape to the dramma giocoso per musica, an innovative, realistic, and enduring new genre with intimate connections to prose comedy that met with overwhelming international success, becoming the foundation for the works of future generations, including W. A. Mozart and his Italian librettist Lorenzo da Ponte. Perhaps because of his stature and influence as a comic playwright, Goldoni has rarely been considered as an innovator in the musical sphere. This study aims to shed new light on his primary role in the evolution of Classical opera, and on the legacy of his innovations in the European musical tradition. - Contents: I. The other Goldoni -- i. "State of the art" -- II. The foundations of musical comedy -- i. The limits of opera seria -- ii. Naples and the commedia per musica -- iii. Venice and the intermezzo -- III. New directions -- i. Goldoni's apprenticeship with musical texts -- ii. New directions for comedy -- iii. A new art for a new society: the dramma giocoso takes shape in Venice -- IV. A new source for Classical opera: Goldoni's drammi giocosi -- i. The real world -- ii. The mezzo carattere -- iii. Buffo, serio, and the space between -- V. How comedy changed opera -- i. The musical elements of comedy -- ii. Comedies that became drammi giocosi -- iii. Goldoni as musical reformer -- VI. Goldoni's Musical Legacy -- i. Globalization? Old news! International drammi giocosi and diffusion of a new genre -- ii. Mozart and Goldoni -- iii. Conclusions. ISBN 9783034335515 Sprache: Englisch Gewicht in Gramm: 248. N° de réf. du vendeur 1127709
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Paperback. Etat : New. Venetian playwright and pioneer of modern theatre Carlo Goldoni (1707-1793) led a 'double life' as a librettist, authoring nearly as many libretti as comedies- libretti which, born from the same mind and the same hand that brought forth his famous, and famously controversial, overhaul of the practices of comic theatre, could not but push the limits of the standing tradition to open a new chapter in opera history. Goldoni became one of the first to give shape to the dramma giocoso per musica, an innovative, realistic, and enduring new genre with intimate connections to prose comedy that met with overwhelming international success, becoming the foundation for the works of future generations, including W. A. Mozart and his Italian librettist Lorenzo da Ponte. Perhaps because of his stature and influence as a comic playwright, Goldoni has rarely been considered as an innovator in the musical sphere. This study aims to shed new light on his primary role in the evolution of Classical opera, and on the legacy of his innovations in the European musical tradition. N° de réf. du vendeur LU-9783034335515
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