From Dialogue to Performance - Couverture rigide

Bindeman, Steven L.

9783034356251: From Dialogue to Performance

Couverture rigide

ISBN 10 : 3034356250 ISBN 13 : 9783034356251

Editeur : Peterlang, 2026

Afficher les exemplaires de cette �dition comportant l'ISBN

0 D'occasion

4 Neuf

De EUR 84,95

“All the world’s a stage,” Shakespeare tells us, “and all the men and women merely players.” But what does this mean, philosophically? Are all actors “merely” players, or do the best of them undergo a transformation in becoming something other than who they are? Are our own identities similarly slippery? Who is the real author of the play in which we find ourselves? To what degree does the very language we use control our thoughts and speech?

This book addresses these questions across strikingly different scenarios: ancient Greece, sixteenth-century Italy, and nineteenth- and twentieth-century France and Germany. In each case the contrast between linear and non-linear styles of reasoning is seen to be a major source of conflict, from the contentious exchanges in sixteenth-century Europe between the Church and the supporters of modern science, to the nineteenth-century shift in scholarship from straightforward analysis to hermeneutical interpretation, and to the crisis in twentieth-century thought forced by the need to think and feel as an embodied self beyond language. This work should find its target audience in advanced undergraduate and graduate philosophy students, and in an educated audience outside of academia.

Les informations fournies dans la section � Synopsis � peuvent faire r�f�rence � une autre �dition de ce titre.

� propos de l'auteur

Until his retirement in 2010, Steven L. Bindeman was professor of philosophy and department chairperson at Strayer University. His teaching experience reflects not only his interest in philosophy, but also in psychology, film and media studies, art, literature, music, and comparative religion. He earned his Ph.D. from Duquesne University in 1980. His publications include Heidegger and Wittgenstein: The Poetics of Silence (1981), The Anti-Philosophers (2015), Silence in Philosophy, Literature, and Art (2017), and Phenomenology and the Creative Process (Peter Lang, 2024).

Les informations fournies dans la section � A propos du livre � peuvent faire r�f�rence � une autre �dition de ce titre.

�diteur: Peterlang
Date d'�dition: 2026
Langue: anglais
ISBN 10: 3034356250
ISBN 13: 9783034356251
Reliure: Reli�
Nombre de pages: 148
Coordonn�es du fabricant: GPSR Kontakt
r.boehm-korff@peterlang.com

Gontardstra�e 11
Berlin
10178
Allemagne

R�sultats de recherche pour From Dialogue to Performance

Image d'archives

From Dialogue to Performance

Steven L. Bindeman

Edit� par Peter Lang Jul 2026, 2026

ISBN 10 : 3034356250 ISBN 13 : 9783034356251

Neuf Couverture rigide

impression � la demande

Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne

�valuation du vendeur 5 sur 5 �toiles

Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -'All the world's a stage,' Shakespeare tells us, 'and all the men and women merely players.' But what does this mean, philosophically Are all actors 'merely' players, or do the best of them undergo a transformation in becoming something other than who they are Are our own identities similarly slippery Who is the real author of the play in which we find ourselves To what degree does the very language we use control our thoughts and speech This book addresses these questions across strikingly different scenarios: ancient Greece, sixteenth-century Italy, and nineteenth- and twentieth-century France and Germany. In each case the contrast between linear and non-linear styles of reasoning is seen to be a major source of conflict, from the contentious exchanges in sixteenth-century Europe between the Church and the supporters of modern science,�to the nineteenth-century shift in scholarship from straightforward analysis to hermeneutical interpretation, and to the crisis in twentieth-century thought�forced by the need to think and feel as an embodied self beyond language. This work should find its target audience in advanced undergraduate and graduate philosophy students, and in an educated audience outside of academia. 148 pp. Englisch. N� de r�f. du vendeur 9783034356251

Contacter le vendeur

Acheter neuf

EUR 84,95

Exp�dition �EUR 23
Exp�dition depuis Allemagne vers Etats-Unis

Quantit� disponible : 2 disponible(s)

Ajouter au panier

Image d'archives

From Dialogue to Performance

Steven L. Bindeman

Edit� par Peter Lang Jul 2026, 2026

ISBN 10 : 3034356250 ISBN 13 : 9783034356251

Neuf Couverture rigide

impression � la demande

Vendeur : buchversandmimpf2000, Emtmannsberg, BAYE, Allemagne

�valuation du vendeur 5 sur 5 �toiles

Buch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -'All the world's a stage,' Shakespeare tells us, 'and all the men and women merely players.' But what does this mean, philosophically Are all actors 'merely' players, or do the best of them undergo a transformation in becoming something other than who they are Are our own identities similarly slippery Who is the real author of the play in which we find ourselves To what degree does the very language we use control our thoughts and speech This book addresses these questions across strikingly different scenarios: ancient Greece, sixteenth-century Italy, and nineteenth- and twentieth-century France and Germany. In each case the contrast between linear and non-linear styles of reasoning is seen to be a major source of conflict, from the contentious exchanges in sixteenth-century Europe between the Church and the supporters of modern science,�to the nineteenth-century shift in scholarship from straightforward analysis to hermeneutical interpretation, and to the crisis in twentieth-century thought�forced by the need to think and feel as an embodied self beyond language. This work should find its target audience in advanced undergraduate and graduate philosophy students, and in an educated audience outside of academia. 148 pp. Englisch. N� de r�f. du vendeur 9783034356251

Contacter le vendeur

Acheter neuf

EUR 84,95

Exp�dition �EUR 60
Exp�dition depuis Allemagne vers Etats-Unis

Quantit� disponible : 1 disponible(s)

Ajouter au panier

Image d'archives

From Dialogue to Performance : The History of a Philosophical Form

Steven L. Bindeman

Edit� par Peter Lang, 2026

ISBN 10 : 3034356250 ISBN 13 : 9783034356251

Neuf Couverture rigide

Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne

�valuation du vendeur 5 sur 5 �toiles

Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - 'All the world's a stage,' Shakespeare tells us, 'and all the men and women merely players.' But what does this mean, philosophically Are all actors 'merely' players, or do the best of them undergo a transformation in becoming something other than who they are Are our own identities similarly slippery Who is the real author of the play in which we find ourselves To what degree does the very language we use control our thoughts and speech This book addresses these questions across strikingly different scenarios: ancient Greece, sixteenth-century Italy, and nineteenth- and twentieth-century France and Germany. In each case the contrast between linear and non-linear styles of reasoning is seen to be a major source of conflict, from the contentious exchanges in sixteenth-century Europe between the Church and the supporters of modern science,�to the nineteenth-century shift in scholarship from straightforward analysis to hermeneutical interpretation, and to the crisis in twentieth-century thought�forced by the need to think and feel as an embodied self beyond language. This work should find its target audience in advanced undergraduate and graduate philosophy students, and in an educated audience outside of academia. N� de r�f. du vendeur 9783034356251

Contacter le vendeur