Avec cet essai, l'historien de l'art et philosophe Georges Didi-Huberman propose une analyse minutieuse de Cube, l'unique sculpture abstraite d'Alberto Giacometti.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Philosophe et historien de l'art, Georges Didi-Huberman enseigne à l'École des hautes études en sciences sociales. Depuis le début des années 1980, il s'attache à développer les outils pour penser ensemble l'art et l'histoire à travers la théorie du devenir des images. Il a publié plus d'une cinquantaine d'ouvrages et a reçu de nombreux prix prestigieux tout au long de sa carrière.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Paperback. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G3037345209I3N10
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Alberto Giacometti's 1934 Cube stands apart for many as a typical of the Swiss artist, the only abstract sculptural work in a wide oeuvre that otherwise had as its objective the exploration of reality. With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist's sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional - a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist's surrealist and realist phases and contains many elements of Giacometti's aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait - or what Didi-Huberman terms "abstract anthropomorphism." Drawing on Freud, Bataille, Leiris, and others whom Giacometti counted as influences, Didi-Huberman presents fans and collectors of Giacometti's art with a new approach to transitional work. N° de réf. du vendeur LU-9783037345207
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
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Etat : New. Brand New. N° de réf. du vendeur 9783037345207
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 247 pages. 8.50x5.25x0.75 inches. In Stock. N° de réf. du vendeur __3037345209
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Vendeur : Wissenschaftl. Antiquariat Th. Haker e.K, Klettgau, Allemagne
softcover. Etat : Wie neu. 248 p. With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist's sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional--a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist's surrealist and realist phases and contains many elements of Giacometti's aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait--or what Didi-Huberman terms "abstract anthropomorphism." Drawing on Freud, Bataille, Leiris, and others Giacometti counted as influence, Didi-Huberman presents fans and collectors of Giacometti's art with a new approach to. ISBN: 9783037345207 Sprache: Englisch Gewicht in Gramm: 475. N° de réf. du vendeur 76361
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