Une somme impressionnante composée d'essais proposant un examen critique des représentations de la vision en mouvement à travers les âges, des premières illustrations de plantes aux avant-gardes, du mime au cinéma, de la décapitation à la danse, de David Hume à Bergson et à Deleuze.
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Michael F. Zimmermann is an art historian and chair of the Department of Art History at the Catholic University of Eichstatt-Ingolstadt, Germany. He is the author or editor of several books.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Stony Hill Books, Madison, WI, Etats-Unis
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Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
hardcover. Etat : Used-Very Good. Cloth, no dj. Mnor shelf wear. Else bright, clean copy. N° de réf. du vendeur 1962586
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. N° de réf. du vendeur M3037345225Z3
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Vendeur : Phatpocket Limited, Waltham Abbey, HERTS, Royaume-Uni
Etat : Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. N° de réf. du vendeur Z1-H-013-01812
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Bringing together a renowned international group of contributors, this book explores the problems in the study of vision and cognition: to make sense of the sensations we experience when we see something, we must configure many moments into a synchronous image. Num Pages: 528 pages, 30 colour plates, 85 halftones. BIC Classification: ABA. Category: (G) General (US: Trade). Dimension: 246 x 164 x 50. Weight in Grams: 1572. . 2016. Illustrated. Hardcover. . . . . N° de réf. du vendeur V9783037345221
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 23206859-n
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Vendeur : Chiron Media, Wallingford, Royaume-Uni
Hardcover. Etat : New. N° de réf. du vendeur 6666-WLY-9783037345221
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur WG-9783037345221
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. Vision is not just a simple recognition of what passes through our field of sight, the reflection and observation of light and shape. Even before Freud posited dreams as a way of "seeing" as we sleep, the writings of philosophers, artists, and scientists from Goethe to Cezanne have argued that to understand vision as a mere mirroring of the outside world is to overlook a more important cognitive act of seeing that is dependent on time. Bringing together a renowned international group of contributors, Vision in Motion explores one of the most vexing problems in the study of vision and cognition: To make sense of the sensations we experience when we see something, we must configure many moments into a synchronous image. This volume offers a critical reexamination of seeing that restores a concept of "vision in motion" that avoids reducing the sensations we experience to narrative chronological sequencing. The contributors draw on Hume, Bergson, and Deleuze, among others, to establish a nuanced idea of how we perceive. N° de réf. du vendeur LU-9783037345221
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