La première monographie rétrospective de McCollum propose, à travers plusieurs essais et une vaste documentation visuelle sur de nombreux travaux inédits, une nouvelle lecture de l'oeuvre de l'un des principaux représentants du mouvement appropriationniste.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midway Book Store (ABAA), St. Paul, MN, Etats-Unis
Hardcover. Etat : near fine. Quarto. (27cm x 26cm) Pictorial boards. 141pp. N° de réf. du vendeur 64106
Quantité disponible : 1 disponible(s)
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 39260181-20
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M3037641932Z3
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover without dustjacket as issued, 144 pages, new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra. N° de réf. du vendeur AlMcJR50
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur GO-9783037641934
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. Since the late 1970s, Allan McCollum (born 1944) has addressed the anthropology of art: its distribution, acquisition, display and interpretation. From his first Surrogate Paintings (1978-82) to his Individual Works (1987-89) or recent Shapes Project(since 2005), through his famous series of Plaster Surrogates (begun in 1982), Perpetual Photos (since 1981) and Perfect Vehicles (since 1986), McCollum has revealed art's mechanisms as a status-generating economy. In the 1990s, his art objects were replaced by found objects belonging to a situated context and community, in an effort to explore local micro-politics and to develop projects with specific milieus. His use of multiples, of museums and display aesthetics as compositional elements, all stem from this displacement of context. Working with regional museums, heterogeneous audiences, and references going from paleontology to mineralogy, McCollum today has built a truly unique and intriguing body of work that receives its first comprehensive overview in this monograph. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783037641934
Quantité disponible : 1 disponible(s)
Vendeur : Chiron Media, Wallingford, Royaume-Uni
Hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. N° de réf. du vendeur 6666-GRD-9783037641934
Quantité disponible : 3 disponible(s)
Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. pp. 144 130 Illus. (100 Col.). N° de réf. du vendeur 4264228
Quantité disponible : 3 disponible(s)
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : New. N° de réf. du vendeur 17848835-n
Quantité disponible : 1 disponible(s)
Vendeur : BuchKunst-Usedom / Kunsthalle, Seebad Ahlbeck, Allemagne
ill. OPappband. / Hardcover. 1. Aufl./ed. Hrsg./Edit.: Rhea Anastas - / Since the late 1970s, Allan McCollum (*1944, Los Angeles, lives in New York) has addressed the production, distribution, acquisition, display, and reading of the artwork. Art as a symbol of social and economic status, and thus the museum and the commercial gallery as authorities, have been the focus of his work from his first Surrogate Paintings (19781982), his Individual Works (19871989), his recent Shapes Project (since 2005), through the famous series of Plaster Surrogates (started in 1982), Perpetual Photos (since 1981), and Perfect Vehicles (since 1986), as well as in collaborations with Louise Lawler and Laurie Simmons. In the 1990s, the artist`s art objects were replaced by found objects belonging to a situated context and community (just as was the art itself), in an effort to explore local micro-politics and understand how his projects might develop in interaction with specific milieus. Thus, his constant use of strategies of multiplication, his examination of the museum as a discursive agent, and his recurrent interest in notions of display, as well as his attempts to find a generic form for any purpose, were entirely reconfigured by this displacement of context. Working with regional museums, heterogeneous audiences, and references ranging from paleontology to mineralogy, Allan McCollum has built a very strong and intriguing body of works that has remained, for some part, unknown to (or at least unseen by) the art world. * * This first retrospective monograph, edited by Rhea Anastas, offers, through original contributions by MaryJo Marks, Martha Buskirk, and Catherine Quéloz, alongside extensive visual documentation of many unpublished works, a new reading on McCollum`s work. (Sehr gut erhalten! / in very good condition) Sprache: Deutsch Gewicht in Gramm: 2100. N° de réf. du vendeur 406190
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