Since the 1970s, in collaboration with renowned printers and publishers, Richard Tuttle (born 1941) has produced almost 300 prints. Exploiting the unique possibilities of printmaking to make process, materials and actions visible, Tuttle celebrates the complexity of printmaking. Accompanying an exhibition at the Bowdoin College Museum of Art, Brunswick, and published as Tuttle creates a major installation at the Tate Modern's Turbine Hall (Fall 2014), this volume is the first monograph on Tuttle's printmaking. These works, which he began producing in the early 1970s, span woodcut, lithography, aquatint and etching, and often incorporate printer's errors. Edited by Christina von Rotenhan, it explores not only the artist's unique approach to printmaking with scholarly essays, artist statements and catalogue entries for selected prints between 1973 and 2013, but also Tuttle's deep interest in the collaborative dimension of printmaking.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
La première publication rétrospective dédiée à l'oeuvre imprimée, aux estampes et aux gravures de l'artiste post-minimaliste américain.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M303764365XZ3
Quantité disponible : 3 disponible(s)
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. White & illus. boards, 143 pp., BW & color illus. Issued in conjunction with a 2014 exhibition of prints rendered by American postminimalist Richard Tuttle (b. 1941). With illustrated essays by Christina von Rotenhan, Susan Tallman, Armin Kunz, Joachim Homann, Chris Dercon, and an artist statement. Includes many illustrations of his work. VG (shelf-wear, light scuffs & scratches; creasing or bumping to corners.). N° de réf. du vendeur 147381
Quantité disponible : 2 disponible(s)
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. N° de réf. du vendeur M303764365XZ4
Quantité disponible : 1 disponible(s)
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
143 pp.; 27.2 x 28 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "Richard Tuttle: A Print Retrospective" held at Bowdoin College Museum of Art, Brunswick, Maine, June 28 - October 19, 2014. Curated by Christina von Rotenhan in collaboration with Joachim Homann. Texts by Richard Tuttle, James Cuno, Anne Collins Goodyear, Christina von Rotenhan, Susan Tallman, Armin Kunz, Joachim Homann and Chris Dercon. Includes an exhibition checklist, biography and selected bibliography. Very Good. Slight bowing of recto, very light cover wear of covers, and a 7 mm. surface tear to endpaper. Contents otherwise clean and unmarked. Includes slipped in exhibition brochure. Due to large size and weight of this publication additional shipping charges will be required for international orders. N° de réf. du vendeur 8236
Quantité disponible : 1 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur CW-9783037643655
Quantité disponible : 2 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 21652680-n
Quantité disponible : 5 disponible(s)
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. N° de réf. du vendeur LU-9783037643655
Quantité disponible : 3 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 21652680
Quantité disponible : 5 disponible(s)
Vendeur : Chiron Media, Wallingford, Royaume-Uni
Hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. N° de réf. du vendeur 6666-GRD-9783037643655
Quantité disponible : 2 disponible(s)
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. Since the 1970s, in collaboration with renowned printers and publishers, Richard Tuttle (born 1941) has produced almost 300 prints. Exploiting the unique possibilities of printmaking to make process, materials and actions visible, Tuttle celebrates the complexity of printmaking. Accompanying an exhibition at the Bowdoin College Museum of Art, Brunswick, and published as Tuttle creates a major installation at the Tate Modern's Turbine Hall (Fall 2014), this volume is the first monograph on Tuttle's printmaking. These works, which he began producing in the early 1970s, span woodcut, lithography, aquatint and etching, and often incorporate printer's errors. Edited by Christina von Rotenhan, it explores not only the artist's unique approach to printmaking with scholarly essays, artist statements and catalogue entries for selected prints between 1973 and 2013, but also Tuttle's deep interest in the collaborative dimension of printmaking. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783037643655
Quantité disponible : 1 disponible(s)