How a new generation of graphic designers has created fresh visual paradigms for Iranian culture
In the last two decades, Iranian poster design has achieved widespread admiration and distinction for its innovative explorations of type and typography, which have been notably accelerated by the implementation of new digital technologies. As Iran's early graphic designers emphasized illustration, so today's designers accentuate typography, giving rise to a new national visual language. An understanding of the new Iranian design paradigm also requires some familiarity with traditional Iranian art and culture.
The posters presented in this latest installment of Lars Müller Publishers' Poster Collection series have expanded the boundaries of Iranian poster design and showcased the energy, passion and enthusiasm of a new generation of designers.
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Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Paperback. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G3037787309I4N10
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Iranian graphic design looks back on a brief history. The first poster designers completed independent artistic training and created painterly-illustrative works in the 1960s. The simultaneous opening to the West under Shah Mohammad Reza Pahlavi promoted global cultural exchange. With the proclamation of the Islamic Republic in 1979 and the First Gulf War (1980-1988), however, this was rapidly interrupted. At the end of the 1980s, a new generation of designers took up the graphic heritage of the pre-war period. At the turn of the millennium, the Iranian poster finally conquered international festivals and caused a great stir in the Western community. The volume Contemporary Iran brings together Iranian cultural posters from 1960 to the present. Despite the many different creative approaches, they always demonstrate the search for a fusion of history and contemporaneity, Iran's own tradition and Western inspiration, art and everyday culture. An often unorthodox interpretation of Persian cultural heritage is combined with the confident use of computer-generated graphics. Thus, some posters confirm common Western notions of Islamic aesthetics, while others radically undermine them and irritate and surprise us. N° de réf. du vendeur LU-9783037787304
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. Iranian graphic design looks back on a brief history. The first poster designers completed independent artistic training and created painterly-illustrative works in the 1960s. The simultaneous opening to the West under Shah Mohammad Reza Pahlavi promoted global cultural exchange. With the proclamation of the Islamic Republic in 1979 and the First Gulf War (1980-1988), however, this was rapidly interrupted. At the end of the 1980s, a new generation of designers took up the graphic heritage of the pre-war period. At the turn of the millennium, the Iranian poster finally conquered international festivals and caused a great stir in the Western community. The volume Contemporary Iran brings together Iranian cultural posters from 1960 to the present. Despite the many different creative approaches, they always demonstrate the search for a fusion of history and contemporaneity, Iran's own tradition and Western inspiration, art and everyday culture. An often unorthodox interpretation of Persian cultural heritage is combined with the confident use of computer-generated graphics. Thus, some posters confirm common Western notions of Islamic aesthetics, while others radically undermine them and irritate and surprise us. N° de réf. du vendeur LU-9783037787304
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. How a new generation of graphic designers has created fresh visual paradigms for Iranian culture. In the last two decades, Iranian poster design has achieved widespread admiration and distinction for its innovative explorations of type and typography, which have been notably accelerated by the implementation of new digital technologies. As Iran's early graphic designers emphasized illustration, so today's designers accentuate typography, giving rise to a new national visual language. An understanding of the new Iranian design paradigm also requires some familiarity with traditional Iranian art and culture. The posters presented in this latest installment of Lars Mueller Publishers' Poster Collection series have expanded the boundaries of Iranian poster design and showcased the energy, passion and enthusiasm of a new generation of designers. AUTHORS: Bettina Richter is curator of the Poster Collection of the Museum fuer Gestaltung Zuerich. Majid Abbasi is the design director of Studio Abbasi based in Tehran and Toronto. Maryam Razi is a graphic designer and member of the ArtSci Collective at UCLA. SELLING POINTS: . Paperback collection of Iranian cultural posters from 1960 to the present accompanying a show in Zurich at the Museum fuer Gestaltung Zuerich in the summer of 2023. . Exhibition in Zurich, Switzerland, at the Museum fuer Gestaltung Zuerich, JulyOctober 2023. 147 illustrations Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783037787304
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FW-9783037787304
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. N° de réf. du vendeur 401128454
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Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2023. Paperback. . . . . . N° de réf. du vendeur V9783037787304
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