Depuis les années 1920, les affiches sont un moyen efficace pour accompagner les luttes sociales et politiques, diffusant des appels à la paix, des rappels des droits humains et des messages de protection de la nature. Elles touchent un large public, suscitant réflexion ou émotion, parfois par l'ironie ou la provocation, parfois par l'espoir utopique. Les symboles comme le poing levé ou la colombe incarnent un pouvoir universel et renouvelé. Les créateurs, animés par un engagement émancipateur, conçoivent une esthétique propre à la résistance. Cette publication réunit un siècle d'affiches témoignant de leur rôle essentiel comme medium de protestation toujours pertinent aujourd'hui.
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Paperback. Etat : New. Peace appeals, reminders of human rights, calls to protect nature - posters have proven an effective medium in accompanying social and political struggles worldwide since the 1920s. Through the poster, these universal and timeless topics are able to reach a broad public and encourage critical debate. While some posters are meant to shed light and are aimed at reflection, others appeal more strongly to the emotions of their audience. Some dismantle past and present autocrats cynically, ironically or humorously - while others construct idols that exemplify a different world. Dystopian images function as a provocation and warning, while utopian messages keep the belief in change alive. Symbols such as the raised fist or the dove of peace demonstrate their global and lasting power in ever new interpretations. Proven visual formulas and argumentation strategies are taken up in posters of the latest civil protest movements and are supplemented by new rhetoric. The designers, acting individually or collectively, are united by commitment and an emancipatory attitude as well as the conviction that resistance requires its own aesthetic in order to function. The publication brings together works from around one hundred years that demonstrate the tradition of the poster as a medium of protest and assert its validity and necessity in the present day. N° de réf. du vendeur LU-9783037787953
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Paperback. Etat : new. Paperback. A century of posters protesting political and social evils and offering alternatives to tyranny This issue of Lars Mueller Publishers and the Museum fuer Gestaltung's Poster Collection series, presented in a new design, offers works from the last 100 years that demonstrate the tradition of the poster as a medium for protest and assert its validity and necessity in the present day. Peace appeals, reminders of human rights, calls to protect nature-since the 1920s, posters have proved an effective medium accompanying social and political struggles worldwide. While some posters are meant to shed light and are aimed at reflection, others appeal more strongly to the emotions of their audience. Dystopian images function as a provocation and warning, while utopian messages keep the belief in change alive. The designers of these posters, acting individually or collectively, are united by commitment and an emancipatory attitude as well as the conviction that resistance requires its own aesthetic to be effective. Artists and collectives include: Atelier Populaire, Asamblea de Artistas Revolucionarios de Oaxaca, ASARO, Anna Berkenbusch, Chaz Maviyane-Davies, David Tartakover, James Victore, Luba Lukova, Marlena Buczek Smith, Plazm, San Francisco Poster Brigade, Tomi Ungerer. AUTHORS: Bettina Richter is the editor of the Poster Collection series from the Museum fuer Gestaltung Zuerich. Silas Munro is the author of Strikethrough: Typographic Messages of Protest at Letterform Archive (2023). He is founding faculty and chair emeritus for the MFA Program in Graphic Design at Vermont College of Fine Arts. SELLING POINTS: . Since the early revolutionary movements of the 20th century, mass-produced posters have both documented and publicized sociopolitical struggles across the globe. . Volume 37 of Lars Mueller's ongoing Poster Collection series dedicated to posters of resistance from the 1920s to the 2020s. Bonus: includes a text by Silas Munro, editor of Letterform Archive's popular book on typographic resistance, Strikethrough. . Protests have been taking place weekly throughout the US this year-successful visualizations of resistance could not be more timely. 128 illustrations Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783037787953
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Paperback. Etat : New. Peace appeals, reminders of human rights, calls to protect nature - posters have proven an effective medium in accompanying social and political struggles worldwide since the 1920s. Through the poster, these universal and timeless topics are able to reach a broad public and encourage critical debate. While some posters are meant to shed light and are aimed at reflection, others appeal more strongly to the emotions of their audience. Some dismantle past and present autocrats cynically, ironically or humorously - while others construct idols that exemplify a different world. Dystopian images function as a provocation and warning, while utopian messages keep the belief in change alive. Symbols such as the raised fist or the dove of peace demonstrate their global and lasting power in ever new interpretations. Proven visual formulas and argumentation strategies are taken up in posters of the latest civil protest movements and are supplemented by new rhetoric. The designers, acting individually or collectively, are united by commitment and an emancipatory attitude as well as the conviction that resistance requires its own aesthetic in order to function. The publication brings together works from around one hundred years that demonstrate the tradition of the poster as a medium of protest and assert its validity and necessity in the present day. N° de réf. du vendeur LU-9783037787953
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