This study extends the long-established notion of Grass's 'Danzig Trilogy' to that of the 'Danzig Quintet' - a literary project of epic proportions, which explores the evolution of Germany's relationship to its Nazi past over a period of forty years.
The interlocking stories of Die Blechtrommel (1959), Katz und Maus (1961), Hundejahre (1963), örtlich betäubt (1969) and Im Krebsgang (2002) are mediated by the memory and language of seven first-person narrators. Using the dual conceptualisation of memory developed by Freud and Lacan - 'reliving' versus 'recollecting' the past - the author shows how these narrators' accounts assert the reality of the Holocaust (as well as German wartime suffering), while highlighting the reluctance of ordinary Germans to admit their involvement in the Nazi regime.
This delineation of the complex relationship of three generations to their history is deepened by the intertextual nature of the quintet. Using the theory of Peter Brooks, Umberto Eco, Shoshana Felman and Hayden White, the study explores how Grass's textual strategies encourage the reader to view all five works as one overarching narrative, while simultaneously avoiding any literary or historical closure. In the process, the study places each book in the context of its moment of production, and also considers the implications of Grass's belated admission, in August 2006, that he served with the Waffen-SS during the final months of World War Two.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
The Author: Katharina Hall is Lecturer in German at Swansea University. Her current research focuses on the theme of memory and the representation of the National Socialist past in contemporary German literature. She has written on the work of W.G. Sebald, Zafer Şenocak, Bernhard Schlink and Esther Dischereit, and on the role of memory and identification in post-1945 histories of National Socialism.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. This study extends the long-established notion of Grass's 'Danzig Trilogy' to that of the 'Danzig Quintet' - a literary project of epic proportions, which explores the evolution of Germany's relationship to its Nazi past over a period of forty years. The interlocking stories of Die Blechtrommel (1959), Katz und Maus (1961), Hundejahre (1963), oertlich betaeubt (1969) and Im Krebsgang (2002) are mediated by the memory and language of seven first-person narrators. Using the dual conceptualisation of memory developed by Freud and Lacan - 'reliving' versus 'recollecting' the past - the author shows how these narrators' accounts assert the reality of the Holocaust (as well as German wartime suffering), while highlighting the reluctance of ordinary Germans to admit their involvement in the Nazi regime. This delineation of the complex relationship of three generations to their history is deepened by the intertextual nature of the quintet. Using the theory of Peter Brooks, Umberto Eco, Shoshana Felman and Hayden White, the study explores how Grass's textual strategies encourage the reader to view all five works as one overarching narrative, while simultaneously avoiding any literary or historical closure. In the process, the study places each book in the context of its moment of production, and also considers the implications of Grass's belated admission, in August 2006, that he served with the Waffen-SS during the final months of World War Two. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783039109012
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Taschenbuch. Etat : Neu. Günter Grass's 'Danzig Quintet' | Explorations in the Memory and History of the Nazi Era from "Die Blechtrommel to "Im Krebsgang | Katharina Hall | Taschenbuch | Englisch | Peter Lang | EAN 9783039109012 | Verantwortliche Person für die EU: Kolibri 360 GmbH, Ettore-Bugatti-Str. 6-14, 51149 Köln, produktsicherheit[at]kolibri360[dot]de | Anbieter: preigu. N° de réf. du vendeur 103924987
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Etat : New. Num Pages: 215 pages. BIC Classification: DSB; DSBH5; HBLL; HBLX. Category: (G) General (US: Trade). Dimension: 152 x 275 x 13. Weight in Grams: 314. . 2007. New. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9783039109012
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Paperback. Etat : new. Paperback. This study extends the long-established notion of Grass's 'Danzig Trilogy' to that of the 'Danzig Quintet' - a literary project of epic proportions, which explores the evolution of Germany's relationship to its Nazi past over a period of forty years. The interlocking stories of Die Blechtrommel (1959), Katz und Maus (1961), Hundejahre (1963), oertlich betaeubt (1969) and Im Krebsgang (2002) are mediated by the memory and language of seven first-person narrators. Using the dual conceptualisation of memory developed by Freud and Lacan - 'reliving' versus 'recollecting' the past - the author shows how these narrators' accounts assert the reality of the Holocaust (as well as German wartime suffering), while highlighting the reluctance of ordinary Germans to admit their involvement in the Nazi regime. This delineation of the complex relationship of three generations to their history is deepened by the intertextual nature of the quintet. Using the theory of Peter Brooks, Umberto Eco, Shoshana Felman and Hayden White, the study explores how Grass's textual strategies encourage the reader to view all five works as one overarching narrative, while simultaneously avoiding any literary or historical closure. In the process, the study places each book in the context of its moment of production, and also considers the implications of Grass's belated admission, in August 2006, that he served with the Waffen-SS during the final months of World War Two. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9783039109012
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