Synopsis
Colour is one of the few remaining uncharted territories of film studies, and its centrality to the construction and reception of film narratives has only recently been recognised. After a century of widespread critical and theoretical neglect, colour is now poised to become a prime focus within film studies at all levels, and this book will constitute a key voice within this debate. In a series of wide-ranging critical essays, marked by authoritative and innovative perspectives, the volume explores the shifting technologies, theories, and practices of colour in cinema, highlighting the intricate relationship between technological, philosophical, and artistic concerns, and making a compelling case for colour as a dominant and complex signifier in filmic discourse. The essays are divided into three main sections exploring the historical and technical dimensions of colour, the aesthetics of colour, and the significance of colour in relation to broader issues of race, gender, and identity, and are interdisciplinary and transnational in their focus. They provide the reader with a clear understanding of the significance of colour, exploring new pathways and identifying discoveries still to be made.
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À propos de l'auteur
The Editor : Wendy Everett is Reader in Film Studies and French at the University of Bath. Her principal research interests are in European cinema, and recent published books include European Identity in Cinema (2006), Revisiting Space. Space and Place in European Cinema (2005), jointly edited with Axel Goodbody, and a study of the work of the British director Terence Davies (2004). She is a member of the Editorial Board of the Literature/Film Quarterly, and co-editor of Peter Lang's New Studies in European Cinema.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Résultats de recherche pour Questions of Colour in Cinema: From Paintbrush to Pixel
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Questions of Colour in Cinema: From Paintbrush to Pixel (New Studies in European Cinema) (Volume 6)
Edité par
Peter Lang, 2007
ISBN 10 : 3039113534
ISBN 13 : 9783039113538
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Etat : Fair. Volume 6. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9783039113538. N° de réf. du vendeur 4335415
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Questions of Colour in Cinema
Edité par
Peter Lang Ltd. International Academic Publishers Okt 2007, 2007
ISBN 10 : 3039113534
ISBN 13 : 9783039113538
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Colour is one of the few remaining uncharted territories of film studies, and its centrality to the construction and reception of film narratives has only recently been recognised. After a century of widespread critical and theoretical neglect, colour is now poised to become a prime focus within film studies at all levels, and this book will constitute a key voice within this debate. In a series of wide-ranging critical essays, marked by authoritative and innovative perspectives, the volume explores the shifting technologies, theories, and practices of colour in cinema, highlighting the intricate relationship between technological, philosophical, and artistic concerns, and making a compelling case for colour as a dominant and complex signifier in filmic discourse. The essays are divided into three main sections exploring the historical and technical dimensions of colour, the aesthetics of colour, and the significance of colour in relation to broader issues of race, gender, and identity, and are interdisciplinary and transnational in their focus. They provide the reader with a clear understanding of the significance of colour, exploring new pathways and identifying discoveries still to be made. 242 pp. Englisch. N° de réf. du vendeur 9783039113538
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Questions of Colour in Cinema: From Paintbrush to Pixel (New Studies in European Cinema)
Edité par
Peter Lang AG, Internationaler Verlag der Wissensc, 2007
ISBN 10 : 3039113534
ISBN 13 : 9783039113538
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Questions of Colour in Cinema : From Paintbrush to Pixel
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
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Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Colour is one of the few remaining uncharted territories of film studies, and its centrality to the construction and reception of film narratives has only recently been recognised. After a century of widespread critical and theoretical neglect, colour is now poised to become a prime focus within film studies at all levels, and this book will constitute a key voice within this debate. In a series of wide-ranging critical essays, marked by authoritative and innovative perspectives, the volume explores the shifting technologies, theories, and practices of colour in cinema, highlighting the intricate relationship between technological, philosophical, and artistic concerns, and making a compelling case for colour as a dominant and complex signifier in filmic discourse. The essays are divided into three main sections exploring the historical and technical dimensions of colour, the aesthetics of colour, and the significance of colour in relation to broader issues of race, gender, and identity, and are interdisciplinary and transnational in their focus. They provide the reader with a clear understanding of the significance of colour, exploring new pathways and identifying discoveries still to be made. N° de réf. du vendeur 9783039113538
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Questions of Colour in Cinema | From Paintbrush to Pixel
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Taschenbuch. Etat : Neu. Questions of Colour in Cinema | From Paintbrush to Pixel | Wendy Everett | Taschenbuch | Englisch | Peter Lang | EAN 9783039113538 | Verantwortliche Person für die EU: Zeitfracht Medien GmbH, Ferdinand-Jühlke-Str. 7, 99095 Erfurt, produktsicherheit[at]zeitfracht[dot]de | Anbieter: preigu. N° de réf. du vendeur 103924942
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