Articles liés à Horace in Dialogue: Bakhtinian Readings in the Satires
Synopsis
Horace's Satires have a distinctly dialogic quality - not for nothing does Horace himself choose to call these poems sermones, 'conversations'. Even when formally presented as monologues, the Satires seem to be speeches actively addressed to their recipients, cognisant of their audiences, and full of the 'voices' of others. This book applies theories on dialogue by the twentieth-century Russian thinker Mikhail Bakhtin to Horace's Satires. Bakhtinian key concepts such as polyphony, heteroglossia, addressivity and authoritative discourse are investigated and found to be useful in understanding Horace's work.
Far from getting bogged down in theory, however, this is a book which uses some of Bakhtin's ideas to tease out fresh insights into Horace's Satires. The author reads Horace's poems as 'little dramas' - interactions between speakers, interlocutors, addressees, and audiences. What is Horace's real motive for lecturing on miserly greed in his first satire? Who is the modern Hollywood star whom Horace most closely resembled? What is Horace doing while Damasippus rattles on, recounting the words of his guru Stertinius, in Satires 2.3? The answers to these and other questions are suggested in this book.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos de l?auteur
The Author: Suzanne Sharland studied Classics at the University of Cape Town, where she received her doctorate in 2001. She has taught Classics at a number of universities in South Africa. She currently is Senior Lecturer in the Classics Programme at the University of KwaZulu-Natal (Durban).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Horace in Dialogue: Bakhtinian Readings in the "Satires
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Peter Lang AG, Internationaler Verlag der Wissenschaften, 2009
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Horace in Dialogue : Bakhtinian Readings in the Satires
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Peter Lang AG, Internationaler Verlag der Wissenschaften, 2009
ISBN 10 : 303911946X
ISBN 13 : 9783039119462
Neuf
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Horace in Dialogue : Bakhtinian Readings in the Satires
Edité par
Peter Lang AG, Internationaler Verlag der Wissenschaften, 2009
ISBN 10 : 303911946X
ISBN 13 : 9783039119462
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Paperback. Etat : New. Horace's Satires have a distinctly dialogic quality - not for nothing does Horace himself choose to call these poems sermones, 'conversations'. Even when formally presented as monologues, the Satires seem to be speeches actively addressed to their recipients, cognisant of their audiences, and full of the 'voices' of others. This book applies theories on dialogue by the twentieth-century Russian thinker Mikhail Bakhtin to Horace's Satires. Bakhtinian key concepts such as polyphony, heteroglossia, addressivity and authoritative discourse are investigated and found to be useful in understanding Horace's work. Far from getting bogged down in theory, however, this is a book which uses some of Bakhtin's ideas to tease out fresh insights into Horace's Satires. The author reads Horace's poems as 'little dramas' - interactions between speakers, interlocutors, addressees, and audiences. What is Horace's real motive for lecturing on miserly greed in his first satire? Who is the modern Hollywood star whom Horace most closely resembled? What is Horace doing while Damasippus rattles on, recounting the words of his guru Stertinius, in Satires 2.3? The answers to these and other questions are suggested in this book. N° de réf. du vendeur LU-9783039119462
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Horace in Dialogue : Bakhtinian Readings in the Satires
Edité par
Peter Lang AG, Internationaler Verlag der Wissenschaften, 2009
ISBN 10 : 303911946X
ISBN 13 : 9783039119462
Neuf
Couverture souple
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Horace in Dialogue : Bakhtinian Readings in the Satires
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Peter Lang AG, Internationaler Verlag der Wissenschaften, 2009
ISBN 10 : 303911946X
ISBN 13 : 9783039119462
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Horace's Satires have a distinctly dialogic quality - not for nothing does Horace himself choose to call these poems sermones, 'conversations'. Even when formally presented as monologues, the Satires seem to be speeches actively addressed to their recipients, cognisant of their audiences, and full of the 'voices' of others. This book applies theories on dialogue by the twentieth-century Russian thinker Mikhail Bakhtin to Horace's Satires. Bakhtinian key concepts such as polyphony, heteroglossia, addressivity and authoritative discourse are investigated and found to be useful in understanding Horace's work. Far from getting bogged down in theory, however, this is a book which uses some of Bakhtin's ideas to tease out fresh insights into Horace's Satires. The author reads Horace's poems as 'little dramas' - interactions between speakers, interlocutors, addressees, and audiences. What is Horace's real motive for lecturing on miserly greed in his first satire Who is the modern Hollywood star whom Horace most closely resembled What is Horace doing while Damasippus rattles on, recounting the words of his guru Stertinius, in Satires 2.3 The answers to these and other questions are suggested in this book. 360 pp. Englisch. N° de réf. du vendeur 9783039119462
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. What is Horace s real motive for lecturing on miserly greed in his first satire? Who is the modern Hollywood star whom Horace most closely resembled? What is Horace doing while Damasippus rattles on, recounting the words of his guru Stertinius, in Satires 2. N° de réf. du vendeur 121709257
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Paperback. Etat : New. Horace's Satires have a distinctly dialogic quality - not for nothing does Horace himself choose to call these poems sermones, 'conversations'. Even when formally presented as monologues, the Satires seem to be speeches actively addressed to their recipients, cognisant of their audiences, and full of the 'voices' of others. This book applies theories on dialogue by the twentieth-century Russian thinker Mikhail Bakhtin to Horace's Satires. Bakhtinian key concepts such as polyphony, heteroglossia, addressivity and authoritative discourse are investigated and found to be useful in understanding Horace's work. Far from getting bogged down in theory, however, this is a book which uses some of Bakhtin's ideas to tease out fresh insights into Horace's Satires. The author reads Horace's poems as 'little dramas' - interactions between speakers, interlocutors, addressees, and audiences. What is Horace's real motive for lecturing on miserly greed in his first satire? Who is the modern Hollywood star whom Horace most closely resembled? What is Horace doing while Damasippus rattles on, recounting the words of his guru Stertinius, in Satires 2.3? The answers to these and other questions are suggested in this book. N° de réf. du vendeur LU-9783039119462
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