Begriffe wie "Kunstsammlung" und "Kunstkabinett" und "Wunderkammer" sind im wissenschaftlichen Diskurs des 19. und 20. Jahrhunderts stark verankert. Sie basieren auf der Annahme, dass ein formgebundenes Kunstverständnis einen höheren kulturellen Wert hat, dass Sammlungen den "Geschmack" und die "Leidenschaft" ihrer Besitzer widerspiegeln und dass Kunst keinen praktischen Nutzen hat. Diese Begriffe wurden verwendet, um zu beschreiben, wie Objekte lange vor dem 18. Jahrhundert unter sehr unterschiedlichen kulturellen Bedingungen angehäuft wurden.
Dieser Band stellt Analogien zu zeitgenössischen Sammlungen, Institutionen und Wissensformen her, um die Anhäufung und Präsentation von Objekten seit der griechischen Antike erklären zu können.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Gianfranco Adornato and Gabriella Cirucci, Scuola Normale Superiore, Pisa; Walter Cupperi, University of Stuttgart.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. Concepts such as "art collection" and "art cabinet" and "cabinet of curiosities" are strongly embedded in the scholarly discourse of the 19th and 20th centuries. They are based on the assumption that a form-based understanding of art has higher cultural value, that collections portray the "taste" and "passion" of their owners, and that art has no practical use. These terms were used in order to describe how objects were accumulated under very different cultural conditions long before the 18th century. This volume makes analogies with contemporary collections, institutions, and forms of knowledge in order to be able to explain the accumulation and presentation of objects since Greek antiquity. N° de réf. du vendeur LU-9783110537918
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Vendeur : Rarewaves USA United, OSWEGO, IL, Etats-Unis
Hardback. Etat : New. Concepts such as "art collection" and "art cabinet" and "cabinet of curiosities" are strongly embedded in the scholarly discourse of the 19th and 20th centuries. They are based on the assumption that a form-based understanding of art has higher cultural value, that collections portray the "taste" and "passion" of their owners, and that art has no practical use. These terms were used in order to describe how objects were accumulated under very different cultural conditions long before the 18th century. This volume makes analogies with contemporary collections, institutions, and forms of knowledge in order to be able to explain the accumulation and presentation of objects since Greek antiquity. N° de réf. du vendeur LU-9783110537918
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Vendeur : Mispah books, Redhill, SURRE, Royaume-Uni
hardcover. Etat : New. New. book. N° de réf. du vendeur ERICA82931105379156
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