The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Joseph S. Ackley, Wesleyan Univ., Middletown, USA; Shannon L. Wearing, Pontifical Institute of Mediaeval Studies, Toronto, Canada.
Joseph Salvatore Ackley, Wesleyan Univ., Middletown, USA; Shannon L. Wearing, Pontifical Inst. of Mediaeval Studies, Toronto, Canada.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Studibuch, Stuttgart, Allemagne
hardcover. Etat : Sehr gut. 523 Seiten; 9783110620153.2 Gewicht in Gramm: 3. N° de réf. du vendeur 1510394
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. Neuware - The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them 'illuminated.' Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike. N° de réf. du vendeur 9783110620153
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Vendeur : moluna, Greven, Allemagne
Etat : New. Illuminating Metalwork lives up to its title, casting light on the use of metal in a variety of medieval manuscript traditions, enhancing the essays with multiple indices and a generous number of color figures, and bookending the whole with esse. N° de réf. du vendeur 579664880
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Vendeur : preigu, Osnabrück, Allemagne
Buch. Etat : Neu. Illuminating Metalwork | Metal, Object, and Image in Medieval Manuscripts | Joseph Salvatore Ackley (u. a.) | Buch | XIII | Englisch | 2021 | De Gruyter | EAN 9783110620153 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu. N° de réf. du vendeur 119712745
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