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Afro-latin Soul Music and the Rise of Black Power Cosmopolitanism: Hemispheric Soulscapes‹ Between Spanish Harlem, Black Rio and Panama - Couverture rigide
Synopsis
In the 1960s and 1970s, soul music not only gave voice to a new sense of assertiveness among African Americans in the United States but also contributed to the popularization of Black Power across the Americas. Tracing the emergence of Afro-Latin Soul scenes among Puerto Rican youth in New York, the descendants of Caribbean labor migrants in Panama, and Rio de Janeiro´s black community, the book examines how soul as genre, a style, and a discourse became an inter-American lingua franca that provided diasporic youth with a platform to express solidarity with the African American freedom struggle and a source of inspiration in their struggles against the often denied forms of anti-black racism in Latin American contexts.
Drawing on interviews with protagonists of Spanish Harlem´s Latin Boogaloo scene, Panama´s combos nacionales and the Black Rio movement such as Joe Bataan, Benny Bonilla, Carlos Brown, Ernie King, and Dom Filó and activists such as Denise Oliver, Felipe Luciano, Melva Lowe, Alberto Barrow, Gerado Maloney and Carlos Alberto Medeiros, the multi-sited study conceives of these border-crossing dialogues as expressions of Black Power cosmopolitanism that challenged nationalist identity discourses and the related homogenizing notions of latinidad. Bridging African American and Latin American Studies, the book opens new perspectives to scholars of hemispheric black transnationalism, popular music and social movements in the African diaspora.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos de l'auteur
Matti Steinitz, Bielefeld University, Germany.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism (Hardcover)
Edité par
De Gruyter, Berlin, 2024
ISBN 10 : 311066450X
ISBN 13 : 9783110664508
Neuf
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Hardcover. Etat : new. Hardcover. In the 1960s and 1970s, soul music not only gave voice to a new sense of assertiveness among African Americans in the United States but also contributed to the popularization of Black Power across the Americas. Tracing the emergence of Afro-Latin Soul scenes among Puerto Rican youth in New York, the descendants of Caribbean labor migrants in Panama, and Rio de Janeiros black community, the book examines how soul as genre, a style, and a discourse became an inter-American lingua franca that provided diasporic youth with a platform to express solidarity with the African American freedom struggle and a source of inspiration in their struggles against the often denied forms of anti-black racism in Latin American contexts. Drawing on interviews with protagonists of Spanish Harlems Latin Boogaloo scene, Panamas combos nacionales and the Black Rio movement such as Joe Bataan, Benny Bonilla, Carlos Brown, Ernie King, and Dom Filo and activists such as Denise Oliver, Felipe Luciano, Melva Lowe, Alberto Barrow, Gerado Maloney and Carlos Alberto Medeiros, the multi-sited study conceives of these border-crossing dialogues as expressions of Black Power cosmopolitanism that challenged nationalist identity discourses and the related homogenizing notions of latinidad. Bridging African American and Latin American Studies, the book opens new perspectives to scholars of hemispheric black transnationalism, popular music and social movements in the African diaspora. This volume deals with the hemispheric popularization of Soul music and the related impact of US African American influences on Afro-Latin communities in the Black Power era (1965-1975). This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9783110664508
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Afro-latin Soul Music and the Rise of Black Power Cosmopolitanism : Hemispheric Soulscapes? Between Spanish Harlem, Black Rio and Panama
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ISBN 10 : 311066450X
ISBN 13 : 9783110664508
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Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism
Edité par
De Gruyter, 2024
ISBN 10 : 311066450X
ISBN 13 : 9783110664508
Ancien ou d'occasion
Couverture rigide
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
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Hardback. Etat : Good. In the 1960s and 1970s, soul music not only gave voice to a new sense of assertiveness among African Americans in the United States but also contributed to the popularization of Black Power across the Americas. Tracing the emergence of Afro-Latin Soul scenes among Puerto Rican youth in New York, the descendants of Caribbean labor migrants in Panama, and Rio de Janeiro´s black community, the book examines how soul as genre, a style, and a discourse became an inter-American lingua franca that provided diasporic youth with a platform to express solidarity with the African American freedom struggle and a source of inspiration in their struggles against the often denied forms of anti-black racism in Latin American contexts. Drawing on interviews with protagonists of Spanish Harlem´s Latin Boogaloo scene, Panama´s combos nacionales and the Black Rio movement such as Joe Bataan, Benny Bonilla, Carlos Brown, Ernie King, and Dom Filó and activists such as Denise Oliver, Felipe Luciano, Melva Lowe, Alberto Barrow, Gerado Maloney and Carlos Alberto Medeiros, the multi-sited study conceives of these border-crossing dialogues as expressions of Black Power cosmopolitanism that challenged nationalist identity discourses and the related homogenizing notions of latinidad. Bridging African American and Latin American Studies, the book opens new perspectives to scholars of hemispheric black transnationalism, popular music and social movements in the African diaspora. N° de réf. du vendeur 00105227381
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Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism
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Hardback. Etat : New. In the 1960s and 1970s, soul music not only gave voice to a new sense of assertiveness among African Americans in the United States but also contributed to the popularization of Black Power across the Americas. Tracing the emergence of Afro-Latin Soul scenes among Puerto Rican youth in New York, the descendants of Caribbean labor migrants in Panama, and Rio de Janeiro´s black community, the book examines how soul as genre, a style, and a discourse became an inter-American lingua franca that provided diasporic youth with a platform to express solidarity with the African American freedom struggle and a source of inspiration in their struggles against the often denied forms of anti-black racism in Latin American contexts. Drawing on interviews with protagonists of Spanish Harlem´s Latin Boogaloo scene, Panama´s combos nacionales and the Black Rio movement such as Joe Bataan, Benny Bonilla, Carlos Brown, Ernie King, and Dom Filó and activists such as Denise Oliver, Felipe Luciano, Melva Lowe, Alberto Barrow, Gerado Maloney and Carlos Alberto Medeiros, the multi-sited study conceives of these border-crossing dialogues as expressions of Black Power cosmopolitanism that challenged nationalist identity discourses and the related homogenizing notions of latinidad. Bridging African American and Latin American Studies, the book opens new perspectives to scholars of hemispheric black transnationalism, popular music and social movements in the African diaspora. N° de réf. du vendeur LU-9783110664508
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Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism
Edité par
De Gruyter, 2024
ISBN 10 : 311066450X
ISBN 13 : 9783110664508
Ancien ou d'occasion
Couverture rigide
Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
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Hardback. Etat : Good. In the 1960s and 1970s, soul music not only gave voice to a new sense of assertiveness among African Americans in the United States but also contributed to the popularization of Black Power across the Americas. Tracing the emergence of Afro-Latin Soul scenes among Puerto Rican youth in New York, the descendants of Caribbean labor migrants in Panama, and Rio de Janeiro´s black community, the book examines how soul as genre, a style, and a discourse became an inter-American lingua franca that provided diasporic youth with a platform to express solidarity with the African American freedom struggle and a source of inspiration in their struggles against the often denied forms of anti-black racism in Latin American contexts. Drawing on interviews with protagonists of Spanish Harlem´s Latin Boogaloo scene, Panama´s combos nacionales and the Black Rio movement such as Joe Bataan, Benny Bonilla, Carlos Brown, Ernie King, and Dom Filó and activists such as Denise Oliver, Felipe Luciano, Melva Lowe, Alberto Barrow, Gerado Maloney and Carlos Alberto Medeiros, the multi-sited study conceives of these border-crossing dialogues as expressions of Black Power cosmopolitanism that challenged nationalist identity discourses and the related homogenizing notions of latinidad. Bridging African American and Latin American Studies, the book opens new perspectives to scholars of hemispheric black transnationalism, popular music and social movements in the African diaspora. N° de réf. du vendeur CIN311066450XG
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Afro-latin Soul Music and the Rise of Black Power Cosmopolitanism : Hemispheric Soulscapes? Between Spanish Harlem, Black Rio and Panama
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Walter de Gruyter, 2022
ISBN 10 : 311066450X
ISBN 13 : 9783110664508
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Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism (Hardcover)
Edité par
De Gruyter, Berlin, 2024
ISBN 10 : 311066450X
ISBN 13 : 9783110664508
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Couverture rigide
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
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Hardcover. Etat : new. Hardcover. In the 1960s and 1970s, soul music not only gave voice to a new sense of assertiveness among African Americans in the United States but also contributed to the popularization of Black Power across the Americas. Tracing the emergence of Afro-Latin Soul scenes among Puerto Rican youth in New York, the descendants of Caribbean labor migrants in Panama, and Rio de Janeiros black community, the book examines how soul as genre, a style, and a discourse became an inter-American lingua franca that provided diasporic youth with a platform to express solidarity with the African American freedom struggle and a source of inspiration in their struggles against the often denied forms of anti-black racism in Latin American contexts. Drawing on interviews with protagonists of Spanish Harlems Latin Boogaloo scene, Panamas combos nacionales and the Black Rio movement such as Joe Bataan, Benny Bonilla, Carlos Brown, Ernie King, and Dom Filo and activists such as Denise Oliver, Felipe Luciano, Melva Lowe, Alberto Barrow, Gerado Maloney and Carlos Alberto Medeiros, the multi-sited study conceives of these border-crossing dialogues as expressions of Black Power cosmopolitanism that challenged nationalist identity discourses and the related homogenizing notions of latinidad. Bridging African American and Latin American Studies, the book opens new perspectives to scholars of hemispheric black transnationalism, popular music and social movements in the African diaspora. This volume deals with the hemispheric popularization of Soul music and the related impact of US African American influences on Afro-Latin communities in the Black Power era (1965-1975). This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783110664508
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Afro-latin Soul Music and the Rise of Black Power Cosmopolitanism : Hemispheric Soulscapes? Between Spanish Harlem, Black Rio and Panama
Edité par
Walter de Gruyter, 2022
ISBN 10 : 311066450X
ISBN 13 : 9783110664508
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Translocal Black Power Music
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Etat : New. Matti Steinitz, Bielefeld University, Germany.In the 1960s and 1970s, soul music not only gave voice to a new sense of assertiveness among African Americans in the United States but also contributed to the popularization of Black Pow. N° de réf. du vendeur 357216512
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Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism : 'Hemispheric Soulscapes' between Spanish Harlem, Black Rio and Panama
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De Gruyter Jan 2025, 2025
ISBN 10 : 311066450X
ISBN 13 : 9783110664508
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Buch. Etat : Neu. Neuware - In the 1960s and 1970s, soul music not only gave voice to a new sense of assertiveness among African Americans in the United States but also contributed to the popularization of Black Power across the Americas. Tracing the emergence of Afro-Latin Soul scenes among Puerto Rican youth in New York, the descendants of Caribbean labor migrants in Panama, and Rio de Janeiro s black community, the book examines how soul as genre, a style, and a discourse became an inter-American lingua franca that provided diasporic youth with a platform to express solidarity with the African American freedom struggle and a source of inspiration in their struggles against the often denied forms of anti-black racism in Latin American contexts. Drawing on interviews with protagonists of Spanish Harlem s Latin Boogaloo scene, Panama s combos nacionales and the Black Rio movement such as Joe Bataan, Benny Bonilla, Carlos Brown, Ernie King, and Dom Filó and activists such as Denise Oliver, Felipe Luciano, Melva Lowe, Alberto Barrow, Gerado Maloney and Carlos Alberto Medeiros, the multi-sited study conceives of these border-crossing dialogues as expressions of Black Power cosmopolitanism that challenged nationalist identity discourses and the related homogenizing notions of latinidad. Bridging African American and Latin American Studies, the book opens new perspectives to scholars of hemispheric black transnationalism, popular music and social movements in the African diaspora. N° de réf. du vendeur 9783110664508
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