At this moment, the concept of the Anthropocene is challenging us to rethink our relationship to the earth and its history, but we have not yet fully understood the extent to which our knowledge of earth history has shaped the historical culture of modernity. This study examines the relationship of geology -- including its central narratives, metaphors, topoi, and other imaginative tools -- to the broader historical imagination that has until now been called "historicism." Two major figures in the rise of historical conservationism and aesthetic historicism in nineteenth-century Europe guide this study of geohistoricism: the Austrian writer, painter, and art conservator Adalbert Stifter, whose novel Der Nachsommer (Indian Summer, 1857) narrates the rise of geohistoricism through the friendship of a geologist and his art-historian mentor; and French architect and conservator Eugène Emmanuel Viollet-le-Duc, whose theoretical/abstract/imaginative understanding of "restoration," based on the geology of Georges Cuvier, informed his practical approach. These authors reveal how geological thought provides a powerful new way to envision and reconstruct past worlds, even as it also demonstrates the erosive precariousness of our present.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Timothy Attanucci, Johannes Gutenberg-Universität Mainz, Germany.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Antiquariat Bookfarm, Löbnitz, Allemagne
Hardcover. Etat : Gut. VIII, 228 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. w14915 9783110685534 Sprache: Englisch Gewicht in Gramm: 330. N° de réf. du vendeur 2433209
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book examines two mid-nineteenth century thinkers - the Austrian writer Adalbert Stifter and the French architect Eugène E. Viollet-le-Duc - who imagined cultural history on the model of earth history: as a history of objects to be restored and worlds to be reconstructed. The nascent field of geology shaped cultural thought; their conservationism, informed by erosion, envisions a future of restorative renewal.; At this moment, the concept of the Anthropocene is challenging us to rethink our relationship to the earth and its history, but we have not yet fully understood the extent to which our knowledge of earth history has shaped the historical culture of modernity. This study examines the relationship of geology - including its central narratives, metaphors, topoi, and other imaginative tools - to the broader historical imagination that has until now been called 'historicism.' Two major figures in the rise of historical conservationism and aesthetic historicism in nineteenth-century Europe guide this study of geohistoricism: the Austrian writer, painter, and art conservator Adalbert Stifter, whose novel Der Nachsommer (Indian Summer, 1857) narrates the rise of geohistoricism through the friendship of a geologist and his art-historian mentor; and French architect and conservator Eugène Emmanuel Viollet-le-Duc, whose theoretical/abstract/imaginative understanding of 'restoration,' based on the geology of Georges Cuvier, informed his practical approach. These authors reveal how geological thought provides a powerful new way to envision and reconstruct past worlds, even as it also demonstrates the erosive precariousness of our present.; Dissertationsschrift 236 pp. Englisch. N° de réf. du vendeur 9783110685534
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