Contents
1. Introduction
Part I: Poetry
2. The Broken Language of High Poetry: Agency and Emotion in Teresino by Vivian Lamarque
Enrico Minardi
3. Re-Appropriation for a New Symbolic Order: The Search for Identity in the Poetry of Armanda Guiducci, Maria Luisa Spaziani, and Oliva Gualtieri Bernardi
Rosa Cuda
Part II: Cinema
4. Mambo and Maggiorate: Italian Female Stardom in the 1950s
Elisa Uffreduzzi
5. Mina: Narrative and Cinematic Spectacle of the Italian Woman of the Early 1960s
Paola Valentini
6. Beyond the Male Gaze: Conceiving the 'Fourth Gaze' in La bestia nel cuore
Ryan Calabretta-Sajder
Part III: Theatre
7. From Fairy Tale to Hysteria: Women in Italian Theatre in the Early 1950s
Daniela Cavallero
8. Telling Lives, Staging Silences: Dacia Maraini's Biographical Theater
Alex Standen
9. Staging the (Sur)real World: Soledad Agresti's Theater of Women
Raffaele Furno
Part IV: Prose
10. Writing History, Trauma, and the (Dis/Re)Appearance of the Body in Cutrufelli's La briganta
Sandra Walters
11. The Treasure Chest and the Talisman: Writing between Reality and Myth in Maria Giacobbe
Angela Guiso
12. Space and Sexualization in the Fin de Siècle Italian Female Narrative
Anna Marchioni Cucchiella
Notes on Contributors
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Virginia Picchietti, Professor of Italian at the University of Scranton, USA, writes on twentieth- century Italian women authors and on Italian Jewish Literature and Film.
Laura A. Salsini, Professor of Italian at the University of Delaware, USA, writes on nineteenth- and twentieth-century Italian women authors.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This volume investigates the ways in which Italian women writers, filmmakers, and performers have represented female identity across genres from the immediate post-World War II period to the turn of the twenty-first century. Considering genres such as prose, poetry, drama, and film, these essays examine the vision of female agency and self-actualization arising from women artists' critique of female identity. This dual approach reveals unique interpretations of womanhood in Italy spanning more than fifty years, while also providing a deep investigation of the manipulation of canvases historically centered on the male subject. With its unique coupling of generic and thematic concerns, the volume contributes to the ever expanding female artistic legacy, and to our understanding of postwar Italian women's evolving relationship to the narration of history, gender roles, and these artists' use and revision of generic convention to communicate their vision. 292 pp. Englisch. N° de réf. du vendeur 9783319408347
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