The first book to examine in depth the visual media presence of the artist from the nineteenth century to the contemporary period
Offers perspectives on a wide range of media from the illustrated press to photography, film to popular media and new media
Relevant to academics and students of art history, media studies, film studies, journalism, history of the press, and sociology
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Rachel Esner is Assistant Professor of Art History at the University of Amsterdam, Netherlands. She is a specialist in nineteenth-century French art and photography. Her research focuses on the artist's studio and the emergence of the artist as a public figure. Among others, she is co-editor of Hiding Making - Showing Creation: The Studio from Turner to Tacita Dean (2013).
Sandra Kisters is Head of Collection and Research at Museum Boijmans Van Beuningen in Rotterdam, Netherlands. Her research focuses on the (self-)representation of the modern artist. Her publications include the edited volume Hiding Making - Showing Creation: The Studio from Turner to Tacita Dean (2013), and The Lure of the Biographical: On the (Self)-Representation of Modern Artists (2017).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book offers trans-historical and trans-national perspectives on the image of 'the artist' as a public figure in the popular discourse and imagination. Since the rise of notions of artistic autonomy and the simultaneous demise of old systems of patronage from the late eighteenth century onwards, artists have increasingly found themselves confronted with the necessity of developing a public persona. In the same period, new audiences for art discovered their fascination for the life and work of the artist. The rise of new media such as the illustrated press, photography and film meant that the needs of both parties could easily be satisfied in both words and images. Thanks to these 'new' media, the artist was transformed from a simple producer of works of art into a public figure. The aim of this volume is to reflect on this transformative process, and to study the specific role of the media themselves. Which visual media were deployed, to what effect, and with what kind of audiences in mind How did the artist, critic, photographer and filmmaker interact in the creation of these representations of the artist's image 292 pp. Englisch. N° de réf. du vendeur 9783319662299
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Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - This book offers trans-historical and trans-national perspectives on the image of 'the artist' as a public figure in the popular discourse and imagination. Since the rise of notions of artistic autonomy and the simultaneous demise of old systems of patronage from the late eighteenth century onwards, artists have increasingly found themselves confronted with the necessity of developing a public persona. In the same period, new audiences for art discovered their fascination for the life and work of the artist. The rise of new media such as the illustrated press, photography and film meant that the needs of both parties could easily be satisfied in both words and images. Thanks to these 'new' media, the artist was transformed from a simple producer of works of art into a public figure. The aim of this volume is to reflect on this transformative process, and to study the specific role of the media themselves. Which visual media were deployed, to what effect, and with what kind of audiencesin mind How did the artist, critic, photographer and filmmaker interact in the creation of these representations of the artist's image. N° de réf. du vendeur 9783319662299
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Buch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -The first book to examine in depth the visual media presence of the artist from the nineteenth century to the contemporary periodOffers perspectives on a wide range of media from the illustrated press to photography, film to popular media and new mediaRelevant to academics and students of art history, media studies, film studies, journalism, history of the press, and sociologySpringer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 292 pp. Englisch. N° de réf. du vendeur 9783319662299
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