1.- Introduction: Animism and Animacies; Christopher Braddock.- 2. Te Tuna-Whiri: The Knot of Eels; Cassandra Barnett.- Activating Photographic Mana Rangatiratanga through Kōrero; Natalie Robertson.- 4. Dark Sun: Solar Frequencies, Solar Affects; Janine Randerson and Rachel Shearer.- 5. Language as a Life Form; Anna Gibbs.- 6. The Storm and the Still in the Art of Bridie Lunney; Simone Schmidt.- 7. Animate Atmospheres: Art at the Edge of Materiality; Edward Scheer.- 8. Intrainanimation; Rebecca Schneider.- 9. Animacies and Performativity; Amelia Jones with Chris Braddock.- 10. Animism, Animacy and Participation in the Performances of Darcell Apelu; Christopher Braddock.- 11. Exploring Posthuman Masquerade and Becoming; Martin Patrick.- 12. The Animist Readymade: Towards a Vital Materialism of Contemporary Art; Stephen Zepke.- 13. Sound Fossils and Arche-Fossils: Towards a Mineral Ontology of Contemporary Art; Amelia Barikin.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Christopher Braddock is an artist, a writer, and Professor of Visual Arts at Auckland University of Technology (AUT), New Zealand. He co-leads the Ph.D. and M.Phil. programmes and the Art & Performance Research Group. He is author of Performing Contagious Bodies: Ritual Participation in Contemporary Art (Palgrave, 2013).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book explores Maori indigenous and non-indigenous scholarship corresponding with the term 'animism'. In addressing visual, media and performance art, it explores the dualisms of people and things, as well as 'who' or 'what' is credited with 'animacy'. It comprises a diverse array of essays divided into four sections: Indigenous Animacies, Atmospheric Animations, Animacy Hierarchies and Sensational Animisms. Cassandra Barnett discusses artists Terri Te Tau and Bridget Reweti and how personhood and hau (life breath) traverse art-taonga. Artist Natalie Robertson addresses k rero (talk) with ancestors through photography. Janine Randerson and sound artist Rachel Shearer consider the sun as animate with mauri (life force), while Anna Gibb explores life in the algorithm. Rebecca Schneider and Amelia Jones discuss animacy in queered and raced formations. Stephen Zepke explores Deleuze and Guattari's animist hylozoism and Amelia Barikin examines a mineral ontology of art. This book will appeal to readers interested in indigenous and non-indigenous entanglements and those who seek different approaches to new materialism, the post-human and the anthropocene. 308 pp. Englisch. N° de réf. du vendeur 9783319665498
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Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Explores the concept of animism in relation to a variety of art forms including theatre, sculpture, and photographyQuestions the distinctions of animate and inanimate, subject and object, material and immaterial, live and dead to ask w. N° de réf. du vendeur 155914855
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Buch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book exploresM¿ori indigenous and non-indigenous scholarship corresponding with the term ¿animism¿. In addressing visual, media and performance art, it explores the dualisms of people and things, as well as 'who' or 'what' is credited with 'animacy'. It comprises a diverse array of essays divided into four sections:Indigenous Animacies, Atmospheric Animations, Animacy Hierarchies and Sensational Animisms. Cassandra Barnett discusses artists Terri Te Tau and Bridget Reweti and how personhood and hau (life breath) traverse art-taonga. Artist Natalie Robertson addresses k¿rero (talk) with ancestors through photography. Janine Randerson and sound artist Rachel Shearer consider the sun as animate with mauri (life force), while Anna Gibb explores life in the algorithm. Rebecca Schneider and Amelia Jones discuss animacy in queered and raced formations. Stephen Zepke explores Deleuze and Guattari's animist hylozoism and Amelia Barikin examines a mineral ontology of art. This book will appeal to readers interested in indigenous and non-indigenous entanglements and those who seek different approaches to new materialism, the post-human and the anthropocene.Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 308 pp. Englisch. N° de réf. du vendeur 9783319665498
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Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - This book explores Maori indigenous and non-indigenous scholarship corresponding with the term 'animism'. In addressing visual, media and performance art, it explores the dualisms of people and things, as well as 'who' or 'what' is credited with 'animacy'. It comprises a diverse array of essays divided into four sections: Indigenous Animacies, Atmospheric Animations, Animacy Hierarchies and Sensational Animisms. Cassandra Barnett discusses artists Terri Te Tau and Bridget Reweti and how personhood and hau (life breath) traverse art-taonga. Artist Natalie Robertson addresses k rero (talk) with ancestors through photography. Janine Randerson and sound artist Rachel Shearer consider the sun as animate with mauri (life force), while Anna Gibb explores life in the algorithm. Rebecca Schneider and Amelia Jones discuss animacy in queered and raced formations. Stephen Zepke explores Deleuze and Guattari's animist hylozoism and Amelia Barikin examines a mineral ontology of art. This book will appeal to readers interested in indigenous and non-indigenous entanglements and those who seek different approaches to new materialism, the post-human and the anthropocene. N° de réf. du vendeur 9783319665498
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