Combines recent scholarship in new media with the work of canonical theorists such as Derrida, Deleuze, and Haraway
Offers a rigorous exploration of questions of authorship, "post-textual" adaptations, and intermedia appropriations
Engages with a wide range of media, including novels, comics, television series, films, social media
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Christy Desmet is Josiah Meigs Distinguished Teaching Professor at the University of Georgia.
Natalie Loper is Instructor and Assistant Director of First-Year Writing at The University of Alabama.
Jim Casey is Assistant Professor of Shakespeare, Literary Theory, and Cultural Studies at Arcadia University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Basi6 International, Irving, TX, Etats-Unis
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This essay collection addresses the paradox that something may at once 'be' and 'not be' Shakespeare. This phenomenon can be a matter of perception rather than authorial intention: audiences may detect Shakespeare where the author disclaims him or have difficulty finding him where he is named. Douglas Lanier's 'Shakespearean rhizome,' which co-opts Deleuze and Guattari's concept of artistic relations as rhizomes (a spreading, growing network that sprawls horizontally to defy hierarchies of origin and influence) is fundamental to this exploration. Essays discuss the fine line between 'Shakespeare' and 'not Shakespeare' through a number of critical lenses-networks and pastiches, memes and echoes, texts and paratexts, celebrities and afterlives, accidents and intertexts-and include a wide range of examples: canonical plays by Shakespeare, historical figures, celebrities, television performances and adaptations, comics, anime appropriations, science fiction novels, blockbuster films, gangster films, Shakesploitation and teen films, foreign language films, and non-Shakespearean classic films. 336 pp. Englisch. N° de réf. du vendeur 9783319875217
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Vendeur : moluna, Greven, Allemagne
Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Christy Desmet is Josiah Meigs Distinguished Teaching Professor at the University of Georgia. Natalie Loper is Instructor and Assistant Director of First-Year Writing at The University of Alabama. Jim Casey is Assistant Professor of . N° de réf. du vendeur 448760749
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Vendeur : preigu, Osnabrück, Allemagne
Taschenbuch. Etat : Neu. Shakespeare / Not Shakespeare | Christy Desmet (u. a.) | Taschenbuch | Reproducing Shakespeare | xxi | Englisch | 2018 | Springer | EAN 9783319875217 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. N° de réf. du vendeur 115378833
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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -Combines recent scholarship in new media with the work of canonical theorists such as Derrida, Deleuze, and HarawaySpringer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 336 pp. Englisch. N° de réf. du vendeur 9783319875217
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Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - This essay collection addresses the paradox that something may at once 'be' and 'not be' Shakespeare. This phenomenon can be a matter of perception rather than authorial intention: audiences may detect Shakespeare where the author disclaims him or have difficulty finding him where he is named. Douglas Lanier's 'Shakespearean rhizome,' which co-opts Deleuze and Guattari's concept of artistic relations as rhizomes (a spreading, growing network that sprawls horizontally to defy hierarchies of origin and influence) is fundamental to this exploration. Essays discuss the fine line between 'Shakespeare' and 'not Shakespeare' through a number of critical lenses-networks and pastiches, memes and echoes, texts and paratexts, celebrities and afterlives, accidents and intertexts-and include a wide range of examples: canonical plays by Shakespeare, historical figures, celebrities, television performances and adaptations, comics, anime appropriations, science fiction novels, blockbuster films, gangster films, Shakesploitation and teen films, foreign language films, and non-Shakespearean classic films. N° de réf. du vendeur 9783319875217
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