Despite the boom in scholarship in both Comics Studies and Memory Studies, the two fields rarely interact--especially with issues beyond the representation of traumatic and autobiographical memories in comics. With a focus on the roles played by styles and archives--in their physical and metaphorical manifestations--this edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory and comics.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Maaheen Ahmed is a postdoctoral fellow at the Research Foundation - Flanders (FWO) at Ghent University, Belgium. She is currently working on possibilities for conceptualizing the relationship between comics and different kinds of memories, ranging from personal memories to collective and medium-based ones. Her books include Openness of Comics (2016) and Le Statut culturel de la bande dessinée/The Cultural Standing of Comics (2017), co-edited with Stéphanie Delneste and Jean-Louis Tilleuil. She recently received an ERC Starting Grant for her project on children in European comics.
Benoît Crucifix is a FRS-FNRS doctoral fellow at the University of Liège and UCLouvain, Belgium. His thesis focuses on the cultural memory of comics in the contemporary graphic novel. His research on comics memory has been published in European Comic Art, The Comics Grid, Journal of Graphic Novels and Comics and Inks. He isa member of the ACME Comics Research Group and of the editorial board of Comicalités.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Whitledge Books, Austin, TX, Etats-Unis
Hardcover. Etat : As New. No Jacket. 1st Edition. COMICS MEMORY: ARCHIVES AND STYLES, edited by Maaheen Ahmed and Benoit Crucifix, Palgrave Studies in Comics and Graphic Novels, hardcover, probable 1st edition, 2018. BOOK CONDITION: As new. The text block and illustrations are in fine condition with no marks, tears, or dog ears. There is no bookplate nor signature of previous owner. Not a library book nor remainder. Tight binding. The boards are in fine condition. 8 ½ x 6 1/4, 290 pages, 24 ounces. NOTE THAT SINCE THE BOOK WEIGHS OVER ONE POUND, THERE MAY BE ADDITIONAL SHIPPING CHARGES IF YOU LIVE OUTSIDE THE UNITED STATES OR REQUIRE PRIORITY SHIPPING WITHIN THE U.S. XX [From the back cover] Despite the boom in scholarship in both Comics Studies and Memory Studies, the two fields rarely interact-especially with issues beyond the representation of traumatic and autobiographical memories in comics. With a focus on the roles played by styles and archives-in their physical and metaphorical manifestations-this edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory and comics. XX Maaheen Ahmed is a postdoctoral fellow at the Research Foundation - Flanders (FWO) at Ghent University Belgium. She is currently working on possibilities for conceptualizing the relationship between comics and different kinds of memories, ranging from personal memories to collective and medium-based ones. Her books include Openness of Comics (2016) and Le Statut culturel de la bande dessinée/The Cultural Standing of Comics (2017), co-edited with Stéphanie Delneste and Jean-Louis TilleuiL She recently received an ERC Starting Grant for her project on children in European comics. Benoit Crucifix is a FRS-FNRS doctoral fellow at the University of Liége and UCLouvain, Belgium. His thesis focuses on the cultural memory of comics in the contemporary graphic novel. His research on comics memory has been published in European Comic Art, The Comics Grid, Journal of Graphic Novels and Comics and Inks. He is a member of the ACME Comics Research Group and of the editorial board of Comicalités. N° de réf. du vendeur 000784
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Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Etat : new. Questo è un articolo print on demand. N° de réf. du vendeur 180f45d3a9e25c999ed2029fa9be9475
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. Despite the boom in scholarship in both Comics Studies and Memory Studies, the two fields rarely interactespecially with issues beyond the representation of traumatic and autobiographical memories in comics. With a focus on the roles played by styles and archivesin their physical and metaphorical manifestationsthis edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory and comics. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783319917450
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In. N° de réf. du vendeur ria9783319917450_new
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Despite the boom in scholarship in both Comics Studies and Memory Studies, the two fields rarely interact-especially with issues beyond the representation of traumatic and autobiographical memories in comics. With a focus on the roles played by styles and archives-in their physical and metaphorical manifestations-this edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory and comics. 312 pp. Englisch. N° de réf. du vendeur 9783319917450
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Vendeur : moluna, Greven, Allemagne
Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Exemplifies new possibilities for understanding the complex entanglements of different kinds of memory in comicsOffers a practical guide for further analyses of memories in comics along the dimensions of styles and archivesProvides insight . N° de réf. du vendeur 220546800
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Vendeur : Books Puddle, New York, NY, Etats-Unis
Etat : New. N° de réf. du vendeur 26376481438
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2018. Hardcover. . . . . . N° de réf. du vendeur V9783319917450
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Vendeur : buchversandmimpf2000, Emtmannsberg, BAYE, Allemagne
Buch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -Despite the boom in scholarship in both Comics Studies and Memory Studies, the two fields rarely interact¿especially with issues beyond the representation of traumatic and autobiographical memories in comics. With a focus on the roles played by styles and archives¿in their physical and metaphorical manifestations¿this edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory and comics.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 312 pp. Englisch. N° de réf. du vendeur 9783319917450
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. Print on Demand. N° de réf. du vendeur 369563969
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