This book draws from a rich history of scholarship about the relations between music and cities, and the global flows between music and urban experience. The contributions in this collection comment on the global city as a nexus of moving people, changing places, and shifting social relations, asking what popular music can tell us about cities, and vice versa.
Since the publication of the first Sounds and the City volume, various movements, changes and shifts have amplified debates about globalization. From the waves of people migrating to Europe from the Syrian civil war and other conflict zones, to the 2016 "Brexit" vote to leave the European Union and American presidential election of Donald Trump. These, and other events, appear to have exposed an anti-globalist retreat toward isolationism and a backlash against multiculturalism that has been termed "post-globalization." Amidst this, what of popular music? Does music offer renewed spaces and avenues for public protest, for collective action and resistance? What can the diverse histories, hybridities, and legacies of popular music tell us about the ever-changing relations of people and cities?
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Brett Lashua is Reader in Leisure and Culture, Leeds Beckett University, UK.
Stephen Wagg is Professor of Sport and Society, Leeds Beckett University, UK.
Karl Spracklen is Professor of Music, Leisure and Culture, Leeds Beckett University, UK.
M. Selim Yavuz is a PhD student in the School of Film, Music and Performing Arts, Leeds Beckett University, UK.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book draws from a rich history of scholarship about the relations between music and cities, and the global flows between music and urban experience. The contributions in this collection comment on the global city as a nexus ofmoving people, changing places, and shifting social relations, asking what popular music can tell us about cities, and vice versa.Since the publication of the firstSounds and the Cityvolume, various movements, changes and shifts have amplified debates about globalization. From the waves of people migrating to Europe from the Syrian civil war and other conflict zones, to the 2016 'Brexit' vote to leave the European Union and American presidential election of Donald Trump. These, and other events, appear tohave exposed an anti-globalist retreat toward isolationism and a backlash against multiculturalism that has been termed 'post-globalization.' Amidst this, what of popular music Does music offer renewed spaces and avenues for public protest, for collective action and resistance What can thediverse histories,hybridities, and legacies of popular musictell us about the ever-changing relations of people andcities 464 pp. Englisch. N° de réf. du vendeur 9783319940809
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Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Discusses music in cities across the world, in Europe, Africa, Asia, USA and South America. Builds nicely on the achievements of the first book, but comprises brand new chapters to extend its reach and evolve its focus. . N° de réf. du vendeur 226364358
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Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - This book draws from a rich history of scholarship about the relations between music and cities, and the global flows between music and urban experience. The contributions in this collection comment on the global city as a nexus ofmoving people, changing places, and shifting social relations, asking what popular music can tell us about cities, and vice versa.Since the publication of the firstSounds and the Cityvolume, various movements, changes and shifts have amplified debates about globalization. From the waves of people migrating to Europe from the Syrian civil war and other conflict zones, to the 2016 'Brexit' vote to leave the European Union and American presidential election of Donald Trump. These, and other events, appear tohave exposed an anti-globalist retreat toward isolationism and a backlash against multiculturalism that has been termed 'post-globalization.' Amidst this, what of popular music Does music offer renewed spaces and avenues for public protest, for collective action and resistance What can thediverse histories,hybridities, and legacies of popular musictell us about the ever-changing relations of people andcities. N° de réf. du vendeur 9783319940809
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Buch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book draws from a rich history of scholarship about the relations between music and cities, and the global flows between music and urban experience. The contributions in this collection comment on the global city as a nexus of moving people, changing places, and shifting social relations, asking what popular music can tell us about cities, and vice versa.Since the publication of the first Sounds and the City volume, various movements, changes and shifts have amplified debates about globalization. From the waves of people migrating to Europe from the Syrian civil war and other conflict zones, to the 2016 'Brexit' vote to leave the European Union and American presidential election of Donald Trump. These, and other events, appear to have exposed an anti-globalist retreat toward isolationism and a backlash against multiculturalism that has been termed 'post-globalization.' Amidst this, what of popular music Does music offer renewed spaces and avenues for public protest, for collective action and resistance What can the diverse¿¿ histories, hybridities, and legacies of popular music tell us about the ever-changing relations of people and cities Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 464 pp. Englisch. N° de réf. du vendeur 9783319940809
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