This book identifies the ways newspapers in post-socialist Albania have differed from the institutional discourse sanctioned by the communist government from 1945 to 1992 with regards to writing about and classifying the visual arts. As Albania has transitioned from an isolationist, tyrannical dictatorship to a neo-liberal capitalist society, this research posits that due to the changing political climate, the written descriptions of art change as well. This project will employ a Barthesian comparative semiotic analysis of institutional documents produced during the communist regime of Enver Hoxha with the institutionally consecrated newspaper of post-socialist Albania, Panorama. By utilizing Roland Barthes’ iconic La Système de la Mode as a theoretical backbone, this research will explore how institutional discourse has reacted to the change in political-economy in Albania. Furthermore, this research will provide a unique insight into the changing modes of production and how discourse has portrayed such changes since the fall of communism in Albania.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book identifies the ways newspapers in post-socialist Albania have differed from the institutional discourse sanctioned by the communist government from 1945 to 1992 with regards to writing about and classifying the visual arts. As Albania has transitioned from an isolationist, tyrannical dictatorship to a neo-liberal capitalist society, this research posits that due to the changing political climate, the written descriptions of art change as well. This project will employ a Barthesian comparative semiotic analysis of institutional documents produced during the communist regime of Enver Hoxha with the institutionally consecrated newspaper of post-socialist Albania, Panorama. By utilizing Roland Barthes' iconic La Système de la Mode as a theoretical backbone, this research will explore how institutional discourse has reacted to the change in political-economy in Albania. Furthermore, this research will provide a unique insight into the changing modes of production and how discourse has portrayed such changes since the fall of communism in Albania. 72 pp. Englisch. N° de réf. du vendeur 9783330009103
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 72 pages. 8.66x5.91x0.17 inches. In Stock. N° de réf. du vendeur 3330009101
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Vendeur : moluna, Greven, Allemagne
Etat : New. N° de réf. du vendeur 158958211
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Vendeur : buchversandmimpf2000, Emtmannsberg, BAYE, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book identifies the ways newspapers in post-socialist Albania have differed from the institutional discourse sanctioned by the communist government from 1945 to 1992 with regards to writing about and classifying the visual arts. As Albania has transitioned from an isolationist, tyrannical dictatorship to a neo-liberal capitalist society, this research posits that due to the changing political climate, the written descriptions of art change as well. This project will employ a Barthesian comparative semiotic analysis of institutional documents produced during the communist regime of Enver Hoxha with the institutionally consecrated newspaper of post-socialist Albania, Panorama. By utilizing Roland Barthes¿ iconic La Système de la Mode as a theoretical backbone, this research will explore how institutional discourse has reacted to the change in political-economy in Albania. Furthermore, this research will provide a unique insight into the changing modes of production and how discourse has portrayed such changes since the fall of communism in Albania.Books on Demand GmbH, Überseering 33, 22297 Hamburg 72 pp. Englisch. N° de réf. du vendeur 9783330009103
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book identifies the ways newspapers in post-socialist Albania have differed from the institutional discourse sanctioned by the communist government from 1945 to 1992 with regards to writing about and classifying the visual arts. As Albania has transitioned from an isolationist, tyrannical dictatorship to a neo-liberal capitalist society, this research posits that due to the changing political climate, the written descriptions of art change as well. This project will employ a Barthesian comparative semiotic analysis of institutional documents produced during the communist regime of Enver Hoxha with the institutionally consecrated newspaper of post-socialist Albania, Panorama. By utilizing Roland Barthes' iconic La Système de la Mode as a theoretical backbone, this research will explore how institutional discourse has reacted to the change in political-economy in Albania. Furthermore, this research will provide a unique insight into the changing modes of production and how discourse has portrayed such changes since the fall of communism in Albania. N° de réf. du vendeur 9783330009103
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Vendeur : preigu, Osnabrück, Allemagne
Taschenbuch. Etat : Neu. Sistemi i Artit: A Comparative Analysis of Discourse in Albania | Jorge González (u. a.) | Taschenbuch | 72 S. | Englisch | 2016 | LAP Lambert Academic Publishing | EAN 9783330009103 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu. N° de réf. du vendeur 107970270
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