Numerous studies of the past concerning gender representation and cinema, have shown that professional occupations in film roles had been regularly distributed uneven between male and female characters in relation to the state of the things in the real world. It has been supported largely that females in cinema in comparison to males, were typically underrepresented as a labour force either 'horizontally' or 'vertically' compared to their actual percentages at work. The purpose of this study is to check and update the assumptions concerning the analogy of male and female characters in relation to their place in the labour force, as depicted in contemporary films worldwide. We question if gender stereotypes related to professional occupations still persist in the contemporary world of cinema. Finally by putting the findings of our study in context with the historical perspective we can detect the extent in which gender theory and research have activated the film directors’ senses to change attitudes concerning the depiction of biased gender representations about professions in films.
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Numerous studies of the past concerning gender representation and cinema, have shown that professional occupations in film roles had been regularly distributed uneven between male and female characters in relation to the state of the things in the real world. It has been supported largely that females in cinema in comparison to males, were typically underrepresented as a labour force either 'horizontally' or 'vertically' compared to their actual percentages at work. The purpose of this study is to check and update the assumptions concerning the analogy of male and female characters in relation to their place in the labour force, as depicted in contemporary films worldwide. We question if gender stereotypes related to professional occupations still persist in the contemporary world of cinema. Finally by putting the findings of our study in context with the historical perspective we can detect the extent in which gender theory and research have activated the film directors' senses to change attitudes concerning the depiction of biased gender representations about professions in films. 60 pp. Englisch. N° de réf. du vendeur 9783330015777
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Tsangaris MichaelMichael Tsangaris studied Business Administration at the Economic University of Athens. He had his MA degree in Mass Media and Communications at the University of Leeds and his PhD at the Department of Communication . N° de réf. du vendeur 159137281
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Paperback. Etat : Brand New. 60 pages. 8.66x5.91x0.14 inches. In Stock. N° de réf. du vendeur __3330015772
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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -Numerous studies of the past concerning gender representation and cinema, have shown that professional occupations in film roles had been regularly distributed uneven between male and female characters in relation to the state of the things in the real world. It has been supported largely that females in cinema in comparison to males, were typically underrepresented as a labour force either 'horizontally' or 'vertically' compared to their actual percentages at work. The purpose of this study is to check and update the assumptions concerning the analogy of male and female characters in relation to their place in the labour force, as depicted in contemporary films worldwide. We question if gender stereotypes related to professional occupations still persist in the contemporary world of cinema. Finally by putting the findings of our study in context with the historical perspective we can detect the extent in which gender theory and research have activated the film directors' senses to change attitudes concerning the depiction of biased gender representations about professions in films.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 60 pp. Englisch. N° de réf. du vendeur 9783330015777
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Numerous studies of the past concerning gender representation and cinema, have shown that professional occupations in film roles had been regularly distributed uneven between male and female characters in relation to the state of the things in the real world. It has been supported largely that females in cinema in comparison to males, were typically underrepresented as a labour force either 'horizontally' or 'vertically' compared to their actual percentages at work. The purpose of this study is to check and update the assumptions concerning the analogy of male and female characters in relation to their place in the labour force, as depicted in contemporary films worldwide. We question if gender stereotypes related to professional occupations still persist in the contemporary world of cinema. Finally by putting the findings of our study in context with the historical perspective we can detect the extent in which gender theory and research have activated the film directors' senses to change attitudes concerning the depiction of biased gender representations about professions in films. N° de réf. du vendeur 9783330015777
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Vendeur : preigu, Osnabrück, Allemagne
Taschenbuch. Etat : Neu. Occupational Segregation and Gender Representation in Films | Michael Tsangaris (u. a.) | Taschenbuch | 60 S. | Englisch | 2016 | LAP LAMBERT Academic Publishing | EAN 9783330015777 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. N° de réf. du vendeur 108085743
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