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The Grotesque and the Double Reflection of Society in Hanif Kureishi's "The Buddha of Suburbia" - Couverture souple
Synopsis
Seminar paper from the year 2018 in the subject Literature - General, grade: 1, University of Bamberg, course: Postcolonial Literature, language: English, abstract: With the use of the word "grotesque" a whole range of different meanings is called into question. The cultural history of this word has crossed centuries, adopting for each epoch a different nuance of significance, so that it is virtually impossible to establish fixed, universal attributes to it. The very first examples of grotesques were the "bizarre wall paintings" found in Nero's Domus Aurea, which represented "elaborate knots and festoons of floral decoration" and "designs oddly transforming into snakes, satyrs [and] mythological animals" (Clark). The essence of this art was later developed according to different interpretations, being associated to caricature and caprices in the seventeenth century and to horror and repulsion in the nineteenth century (Connelly). It is therefore important to consider that the grotesque is to be understood primarily as a cultural and social phenomenon, constantly changeable and subjected to the spirit of the times.
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"The Grotesque and the Double Reflection of Society in Hanif Kureishi's \"The Buddha of Suburbia\"
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2018 in the subject Literature - General, grade: 1, University of Bamberg, course: Postcolonial Literature, language: English, abstract: With the use of the word 'grotesque' a whole range of different meanings is called into question. The cultural history of this word has crossed centuries, adopting for each epoch a different nuance of significance, so that it is virtually impossible to establish fixed, universal attributes to it. The very first examples of grotesques were the 'bizarre wall paintings' found in Nero's Domus Aurea, which represented 'elaborate knots and festoons of floral decoration' and 'designs oddly transforming into snakes, satyrs [and] mythological animals' (Clark). The essence of this art was later developed according to different interpretations, being associated to caricature and caprices in the seventeenth century and to horror and repulsion in the nineteenth century (Connelly). It is therefore important to consider that the grotesque is to be understood primarily as a cultural and social phenomenon, constantly changeable and subjected to the spirit of the times. 24 pp. Englisch. N° de réf. du vendeur 9783346195135
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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -Seminar paper from the year 2018 in the subject Literature - General, grade: 1, University of Bamberg, course: Postcolonial Literature, language: English, abstract: With the use of the word ¿grotesque¿ a whole range of different meanings is called into question. The cultural history of this word has crossed centuries, adopting for each epoch a different nuance of significance, so that it is virtually impossible to establish fixed, universal attributes to it. The very first examples of grotesques were the ¿bizarre wall paintings¿ found in Nerös Domus Aurea, which represented ¿elaborate knots and festoons of floral decoration¿ and ¿designs oddly transforming into snakes, satyrs [and] mythological animals¿ (Clark). The essence of this art was later developed according to different interpretations, being associated to caricature and caprices in the seventeenth century and to horror and repulsion in the nineteenth century (Connelly). It is therefore important to consider that the grotesque is to be understood primarily as a cultural and social phenomenon, constantly changeable and subjected to the spirit of the times.GRIN Publishing GmbH, Waltherstraße 23, 80337 München 24 pp. Englisch. N° de réf. du vendeur 9783346195135
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Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2018 in the subject Literature - General, grade: 1, University of Bamberg, course: Postcolonial Literature, language: English, abstract: With the use of the word 'grotesque' a whole range of different meanings is called into question. The cultural history of this word has crossed centuries, adopting for each epoch a different nuance of significance, so that it is virtually impossible to establish fixed, universal attributes to it. The very first examples of grotesques were the 'bizarre wall paintings' found in Nero's Domus Aurea, which represented 'elaborate knots and festoons of floral decoration' and 'designs oddly transforming into snakes, satyrs [and] mythological animals' (Clark). The essence of this art was later developed according to different interpretations, being associated to caricature and caprices in the seventeenth century and to horror and repulsion in the nineteenth century (Connelly). It is therefore important to consider that the grotesque is to be understood primarily as a cultural and social phenomenon, constantly changeable and subjected to the spirit of the times. N° de réf. du vendeur 9783346195135
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Taschenbuch. Etat : Neu. The Grotesque and the Double Reflection of Society in Hanif Kureishi's "The Buddha of Suburbia" | Alessandra Pennesi | Taschenbuch | Englisch | 2020 | GRIN Verlag | EAN 9783346195135 | Verantwortliche Person für die EU: GRIN Publishing GmbH, Waltherstr. 23, 80337 München, info[at]grin[dot]com | Anbieter: preigu Print on Demand. N° de réf. du vendeur 118916985
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