Over the past three years, monuments have been toppled or re-coded around the world, the latest against the backdrop of the war in Ukraine. The contributions in this volume address the complex network of relations between monuments – memory – city in Central- and South-Eastern Europe from a long-term perspective. Their focus is on the significance and use of (national) art from the nineteenth century onwards, especially during the Second World War and in the individual (socialist) countries. The critical examination of the different visual articulations of historical memory and of different complexes of “dissonant heritage” follows a multidisciplinary approach, including art history, cultural memory studies, historical visual studies, literary criticism, architectural history and heritage protection. The case studies on cities located today in Croatia, Georgia, Germany, Italy, Northern Macedonia, Romania, Russia, Serbia, Slovenia and Ukraine were written by: Robert Born (Oldenburg), Daria Brasca (Milano & Zürich), Dragan Damjanović (Zagreb), Irene Giviashvili (Tbilisi & Florence), Donata Levi (Udine), Nenad Makuljević (Belgrade), Barbara Kristina Murovec (Florence & Munich), Patricia Počanić (Zagreb), Milan Popadić (Belgrade), Helena Rožman (Krško), Giovanni Rubino (Rome), Anke Schlecht (Nürnberg), Svetlana Smolčić (Belgrade), Dirk Suckow (Berlin), Iain B. Whyte (Edinburgh), and Tanja Zimmermann (Leipzig). Erscheint zugleich als Bd. 72 in der Reihe Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Barbara Kristina Murovec ist derzeit Gastwissenschaftlerin am Kunsthistorischen Institut in Florenz.
Nenad Makuljević is Professor of Art History at the University of Belgrade, Serbia. His main areas of research are 19th-century Serbian art, Balkan visual culture, art historiography, the relationship between art and politics, and Ottoman-Christian-Jewish connections in visual culture.
Tanja Zimmermann ist Professorin für Osteuropäische Kunstgeschichte an der Universität Leipzig.
Robert Born ist Kunsthistoriker und wissenschaftlicher Mitarbeiter am Bundesinstitut für Kultur und Geschichte der Deutschen im östlichen Europa.
Ada Raev ist Professorin für Kunstgeschichte an der Universität Bamberg.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Buch. Etat : Neu. Neuware -Over the past three years, monuments have been toppled or re-coded around the world, the latest against the backdrop of the war in Ukraine. The contributions in this volume address the complex network of relations between monuments - memory - city in Central- and South-Eastern Europe from a long-term perspective. Their focus is on the significance and use of (national) art from the nineteenth century onwards, especially during the Second World War and in the individual (socialist) countries. The critical examination of the different visual articulations of historical memory and of different complexes of 'dissonant heritage' follows a multidisciplinary approach, including art history, cultural memory studies, historical visual studies, literary criticism, architectural history and heritage protection.The case studies on cities located today in Croatia, Georgia, Germany, Italy, Northern Macedonia, Romania, Russia, Serbia, Slovenia and Ukraine were written by: Robert Born (Oldenburg), Daria Brasca (Milano & Zürich), Dragan Damjanovic (Zagreb), Irene Giviashvili (Tbilisi & Florence), Donata Levi (Udine), Nenad Makuljevic (Belgrade), Barbara Kristina Murovec (Florence & Munich), Patricia Pocanic (Zagreb), Milan Popadic (Belgrade), Helena Rozman (Krsko), Giovanni Rubino (Rome), Anke Schlecht (Nürnberg), Svetlana Smolcic (Belgrade), Dirk Suckow (Berlin), Iain B. Whyte (Edinburgh), and Tanja Zimmermann (Leipzig).Erscheint zugleich als Bd. 72 in der Reihe Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München. 404 pp. Englisch. N° de réf. du vendeur 9783412529086
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Buch. Etat : Neu. Neuware -Over the past three years, monuments have been toppled or re-coded around the world, the latest against the backdrop of the war in Ukraine. The contributions in this volume address the complex network of relations between monuments - memory - city in Central- and South-Eastern Europe from a long-term perspective. Their focus is on the significance and use of (national) art from the nineteenth century onwards, especially during the Second World War and in the individual (socialist) countries. The critical examination of the different visual articulations of historical memory and of different complexes of 'dissonant heritage' follows a multidisciplinary approach, including art history, cultural memory studies, historical visual studies, literary criticism, architectural history and heritage protection.The case studies on cities located today in Croatia, Georgia, Germany, Italy, Northern Macedonia, Romania, Russia, Serbia, Slovenia and Ukraine were written by: Robert Born (Oldenburg), Daria Brasca (Milano & Zürich), Dragan Damjanovic (Zagreb), Irene Giviashvili (Tbilisi & Florence), Donata Levi (Udine), Nenad Makuljevic (Belgrade), Barbara Kristina Murovec (Florence & Munich), Patricia Pocanic (Zagreb), Milan Popadic (Belgrade), Helena Rozman (Krsko), Giovanni Rubino (Rome), Anke Schlecht (Nürnberg), Svetlana Smolcic (Belgrade), Dirk Suckow (Berlin), Iain B. Whyte (Edinburgh), and Tanja Zimmermann (Leipzig).Erscheint zugleich als Bd. 72 in der Reihe Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München. 404 pp. Englisch. N° de réf. du vendeur 9783412529086
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Vendeur : Wegmann1855, Zwiesel, Allemagne
Buch. Etat : Neu. Neuware -Over the past three years, monuments have been toppled or re-coded around the world, the latest against the backdrop of the war in Ukraine. The contributions in this volume address the complex network of relations between monuments - memory - city in Central- and South-Eastern Europe from a long-term perspective. Their focus is on the significance and use of (national) art from the nineteenth century onwards, especially during the Second World War and in the individual (socialist) countries. The critical examination of the different visual articulations of historical memory and of different complexes of 'dissonant heritage' follows a multidisciplinary approach, including art history, cultural memory studies, historical visual studies, literary criticism, architectural history and heritage protection.The case studies on cities located today in Croatia, Georgia, Germany, Italy, Northern Macedonia, Romania, Russia, Serbia, Slovenia and Ukraine were written by: Robert Born (Oldenburg), Daria Brasca (Milano & Zürich), Dragan Damjanovi¿ (Zagreb), Irene Giviashvili (Tbilisi & Florence), Donata Levi (Udine), Nenad Makuljevi¿ (Belgrade), Barbara Kristina Murovec (Florence & Munich), Patricia Pöani¿ (Zagreb), Milan Popadi¿ (Belgrade), Helena Ro¿man (Kr¿ko), Giovanni Rubino (Rome), Anke Schlecht (Nürnberg), Svetlana Smol¿i¿ (Belgrade), Dirk Suckow (Berlin), Iain B. Whyte (Edinburgh), and Tanja Zimmermann (Leipzig).Erscheint zugleich als Bd. 72 in der Reihe Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München. N° de réf. du vendeur 9783412529086
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. Neuware - Over the past three years, monuments have been toppled or re-coded around the world, the latest against the backdrop of the war in Ukraine. The contributions in this volume address the complex network of relations between monuments - memory - city in Central- and South-Eastern Europe from a long-term perspective. Their focus is on the significance and use of (national) art from the nineteenth century onwards, especially during the Second World War and in the individual (socialist) countries. The critical examination of the different visual articulations of historical memory and of different complexes of 'dissonant heritage' follows a multidisciplinary approach, including art history, cultural memory studies, historical visual studies, literary criticism, architectural history and heritage protection.The case studies on cities located today in Croatia, Georgia, Germany, Italy, Northern Macedonia, Romania, Russia, Serbia, Slovenia and Ukraine were written by: Robert Born (Oldenburg), Daria Brasca (Milano & Zürich), Dragan Damjanovic (Zagreb), Irene Giviashvili (Tbilisi & Florence), Donata Levi (Udine), Nenad Makuljevic (Belgrade), Barbara Kristina Murovec (Florence & Munich), Patricia Pocanic (Zagreb), Milan Popadic (Belgrade), Helena Rozman (Krsko), Giovanni Rubino (Rome), Anke Schlecht (Nürnberg), Svetlana Smolcic (Belgrade), Dirk Suckow (Berlin), Iain B. Whyte (Edinburgh), and Tanja Zimmermann (Leipzig).Erscheint zugleich als Bd. 72 in der Reihe Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München. N° de réf. du vendeur 9783412529086
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Vendeur : buchversandmimpf2000, Emtmannsberg, BAYE, Allemagne
Buch. Etat : Neu. Neuware -Over the past three years, monuments have been toppled or re-coded around the world, the latest against the backdrop of the war in Ukraine. The contributions in this volume address the complex network of relations between monuments - memory - city in Central- and South-Eastern Europe from a long-term perspective. Their focus is on the significance and use of (national) art from the nineteenth century onwards, especially during the Second World War and in the individual (socialist) countries. The critical examination of the different visual articulations of historical memory and of different complexes of 'dissonant heritage' follows a multidisciplinary approach, including art history, cultural memory studies, historical visual studies, literary criticism, architectural history and heritage protection.The case studies on cities located today in Croatia, Georgia, Germany, Italy, Northern Macedonia, Romania, Russia, Serbia, Slovenia and Ukraine were written by: Robert Born (Oldenburg), Daria Brasca (Milano & Zürich), Dragan Damjanovi¿ (Zagreb), Irene Giviashvili (Tbilisi & Florence), Donata Levi (Udine), Nenad Makuljevi¿ (Belgrade), Barbara Kristina Murovec (Florence & Munich), Patricia Pöani¿ (Zagreb), Milan Popadi¿ (Belgrade), Helena Ro¿man (Kr¿ko), Giovanni Rubino (Rome), Anke Schlecht (Nürnberg), Svetlana Smol¿i¿ (Belgrade), Dirk Suckow (Berlin), Iain B. Whyte (Edinburgh), and Tanja Zimmermann (Leipzig).Erscheint zugleich als Bd. 72 in der Reihe Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München.Böhlau-Verlag GmbH, Ursulaplatz 1, 50668 Köln 404 pp. Englisch. N° de réf. du vendeur 9783412529086
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