The painter, photographer and commercial artist Anton Stankowski was born in 1906 in Gelsenkirchen, Germany and now lives in Stuttgart. The basic concepts for his work developed out of the context of the 1920s. Lasting impressions were made on him especially by the New Objectivity, the Russian avantgarde, the Stijl movement and the theoretical concepts of the Bauhaus. Throughout his work, Stankowski was a dedicated proponent of the unity of free and applied art. For the field of commercial art - which, to use Hegel's terms, belongs to the area of "helping art" - this approach of Stankowski's logically entails the most demanding of artistic expectations. In advertising, he utterly renounces decorative elements and concentrates, in the visual realization of the information to be conveyed, on objective and compressed representation. In his photography, this approach leads to the nearing of reality in an immediate form of presentation befitting the photographic medium. Stankowski's street scenes created at the end of the 1920s - in their capture of the situations and events of daily life - clearly reveal the demands he posed in this respect. Stankowski is considered a predecessor of the "Zuericher Konkreten" and of the "Neue Fotografie". These movements turned away from stylized artistic photography as it had been cultivated by conservative photographers since the beginning of this century. Commercial art and photography, however, are not the only fields in which Anton Stankowski has become involved. He has increasingly dedicated himself to painting and has shown his works in a number of exhibitions since the 1970s. His earliest paintings date from around 1925. This two-volume publication, designed by Karl Duschek, treats all areas of Anton Stankowski's work: graphics, painting, commercial design, design in architectural contexts and photography.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Vendeur : Antiquariat Kunsthaus-Adlerstrasse, Stuttgart, Allemagne
2 Bde. 234 S. u. 285 S. mit zahlr. teils farb. Abb. Umschl. min. fl. - Gute Exemplare. Sprache: Deutsch 4°, Orig.-Leinen mit Orig.-Schutzumschlag. N° de réf. du vendeur 36648
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Vendeur : Antiquariat Kunsthaus-Adlerstrasse, Stuttgart, Allemagne
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Vendeur : Kloof Booksellers & Scientia Verlag, Amsterdam, Pays-Bas
Etat : as new. Berlin : Ernst & Sohn, c1996. 2 Volumes. Hardcover. Dustjacket. 519 pp. In orig. slipcase. Illustrations. 35 cm. German & English text. - Der Maler, Fotograf und Werbegrafiker Anton Stankowski entwickelte sein vielschichtiges Werk aus dem Kontext der 1920er-Jahre. Geprägt durch die Russische Avantgarde, De Stijl und die theoretischen Konzepte des Bauhauses avancierte Anton Stankowski zu einem wichtigen Vertreter der konkreten Kunst. Er war ein engagierter Verfechter der Einheit von freier und angewandter Kunst. In der Werbung verzichtet er gänzlich auf dekorative Elemente und konzentriert sich bei der visuellen Umsetzung der zu vermittelnden Informationen auf eine sachliche und komprimierte Darstellung. Als Pionier des Grafik-Designs hat er das Erscheinungsbild der Bundesrepublik entscheidend mitgeprägt. The painter, photographer and commercial artist Anton Stankowski was born in 1906 in Gelsenkirchen, Germany, and now lives in Stuttgart. The basic concepts for his work developed out of the context of the 1920s. Lasting impressions were made on him especially by the New Objectivity, the Russian avant-garde, the Stijl movement, and the theoretical concepts of the Bauhaus. Stankowski was a dedicated proponent of the unity of free and applied art. For the field of commercial art, this approach logically entails the most demanding of artistic expectations. In advertising, he utterly renounces decorative elements and concentrates, in the visual realization of the information to be conveyed, on objective and compressed representation. In his photography, this approach leads to the nearing of reality in an immediate form of presentation befitting this medium. Stankowski's street scenes created at the end of the 1920s clearly reveal the demands he imposed in this respect. Stankowski is considered a predecessor of the ''Z?richer Konkrete,'' and of the ''Neue Fotografie.'' These movements turned away from stylized artistic photography as it had been cultivated by conservative photographers since the beginning of this century. Condition : as new copy. ISBN 9783433023709. Keywords : ART, N° de réf. du vendeur 293184
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Vendeur : Antiquariat Stefan Krüger, Essen, NRW, Allemagne
Oln. OU Schuber 4°. Die maßgebliche Monografie basiert auf der einbändigen Ausgabe aus dem Jahre 1983. Alle Texte in deutscher und englischer Sprache. neuwertig. N° de réf. du vendeur 60157
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Vendeur : Kepler-Buchversand Huong Bach, Weil der Stadt, Allemagne
Gr.-4°, Gewebe im Schuber. Etat : Gut. 234 S., Abb., 234 S. Gebraucht: SU. leicht gebräunt, ansonsten sehr guter Zustand. The painter, photographer and commercial artist Anton Stankowski was born in 1906 in Gelsenkirchen, Germany, and now lives in Stuttgart. The basic concepts for his work developed out of the context of the 1920s. Lasting impressions were made on him especially by the New Objectivity, the Russian avant-garde, the Stijl movement, and the theoretical concepts of the Bauhaus. Stankowski was a dedicated proponent of the unity of free and applied art. For the field of commercial art, this approach logically entails the most demanding of artistic expectations. In advertising, he utterly renounces decorative elements and concentrates, in the visual realization of the information to be conveyed, on objective and compressed representation. In his photography, this approach leads to the nearing of reality in an immediate form of presentation befitting this medium. Stankowski's street scenes created at the end of the 1920s clearly reveal the demands he imposed in this respect. Stankowski is considered a predecessor of the "Z?richer Konkrete," and of the "Neue Fotografie." These movements turned away from stylized artistic photography as it had been cultivated by conservative photographers since the beginning of this century. Commercial art and photography, however, are not the only fields in which Stankowski has become involved. He has increasingly dedicated himself to painting and has shown his works in a number of exhibitions since the 1970s. His earliest paintings date from about 1925. Sprache: Englisch Gewicht in Gramm: 3139. N° de réf. du vendeur 113691
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Vendeur : Wissenschaftl. Antiquariat Th. Haker e.K, Klettgau, Allemagne
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Vendeur : Antiquarische Fundgrube e.U., Wien, Autriche
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Vendeur : Rotes Antiquariat, Berlin, Allemagne
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Vendeur : CSG Onlinebuch GMBH, Darmstadt, Allemagne
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