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9783631531884: The Author as Reader: Textual Visions and Revisions

Synopsis

One of the most radical conceptual shifts in postmodern debates about art has been the dismantlement of the very idea of a work of art, its unity and ontological status. The move from work to text has entailed far-reaching questions concerning the status and function of the artist or author, the role of interpretive communities, and the constitution of texts as intertexts. By concentrating on the author as reader, the present volume explores the process of writing in terms of textual visions and revisions undertaken by the author him- or herself. Tracing an author's foot- or fingerprints along the multiple versions of a text does not only alert us to the fact that a printed text may not be the first version, nor may it be the final, let alone finished, version ; more radically, it suggests that works of art are fleeting products within a fluid process of transformations.

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À propos de l?auteur

The Editors : Sabine Coelsch-Foisner, born in Upper Austria (1960), is Professor of English Literature and Cultural Theory and coordinates the Interdisciplinary Research Centre Metamorphic Changes in the Arts at the University of Salzburg. Her publications include a study on William Morris and an award-winning study on Mid-Twentieth-Century British Women's Poetry. Her main fields of research are cultural/critical theory, poetry, Victorian culture and literature, fantastic body transformations, literature and the arts. Wolfgang Görtschacher, born in Linz, Upper Austria (1960), is Assistant Professor at the University of Salzburg teaching literary criticism and translation studies. He has published books and numerous articles on little magazines and the small press scene in Great Britain. He is the owner-director of Poetry Salzburg, a publishing company specialising in English poetry, and edits the poetry magazine Poetry Salzburg Review. Current projects include a book on the impact of Non-Shakespearean Elizabethan and Jacobean Drama on later dramatists.

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Coelsch-Foisner, Sabine|Görtschacher, Wolfgang
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. One of the most radical conceptual shifts in postmodern debates about art has been the dismantlement of the very idea of a work of art, its unity and ontological status. The move from work to text has entailed far-reaching questions concerning. N° de réf. du vendeur 127572631

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Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - One of the most radical conceptual shifts in postmodern debates about art has been the dismantlement of the very idea of a work of art, its unity and ontological status. The move from work to text has entailed far-reaching questions concerning the status and function of the artist or author, the role of interpretive communities, and the constitution of texts as intertexts. By concentrating on the author as reader, the present volume explores the process of writing in terms of textual visions and revisions undertaken by the author him- or herself. Tracing an author's foot- or fingerprints along the multiple versions of a text does not only alert us to the fact that a printed text may not be the first version, nor may it be the final, let alone finished, version; more radically, it suggests that works of art are fleeting products within a fluid process of transformations. N° de réf. du vendeur 9783631531884

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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -One of the most radical conceptual shifts in postmodern debates about art has been the dismantlement of the very idea of a work of art, its unity and ontological status. The move from work to text has entailed far-reaching questions concerning the status and function of the artist or author, the role of interpretive communities, and the constitution of texts as intertexts. By concentrating on the author as reader, the present volume explores the process of writing in terms of textual visions and revisions undertaken by the author him- or herself. Tracing an author's foot- or fingerprints along the multiple versions of a text does not only alert us to the fact that a printed text may not be the first version, nor may it be the final, let alone finished, version; more radically, it suggests that works of art are fleeting products within a fluid process of transformations. 260 pp. Englisch. N° de réf. du vendeur 9783631531884

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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -One of the most radical conceptual shifts in postmodern debates about art has been the dismantlement of the very idea of a work of art, its unity and ontological status. The move from work to text has entailed far-reaching questions concerning the status and function of the artist or author, the role of interpretive communities, and the constitution of texts as intertexts. By concentrating on the author as reader, the present volume explores the process of writing in terms of textual visions and revisions undertaken by the author him- or herself. Tracing an author's foot- or fingerprints along the multiple versions of a text does not only alert us to the fact that a printed text may not be the first version, nor may it be the final, let alone finished, version; more radically, it suggests that works of art are fleeting products within a fluid process of transformations.Lang, Peter GmbH, Gontardstraße 11, 10178 Berlin 272 pp. Englisch. N° de réf. du vendeur 9783631531884

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Taschenbuch. Etat : Neu. The Author as Reader | Textual Visions and Revisions | Sabine Coelsch-Foisner (u. a.) | Taschenbuch | Englisch | 2005 | Peter Lang | EAN 9783631531884 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu. N° de réf. du vendeur 128695282

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