Musical Work Analysis is a holistic approach to the cognitive theory of the musical work. The book develops some of Roman Ingarden's concepts on the epistemology of an actually existing work of music. The author outlines an epistemological theory of the musical work by discussing the role of musical analysis in modern musicology, defining sources and objects of epistemological activity, formulating a systematization of analytical terms, issues and methods, both normative and descriptive, and addressing the relation between analysis and interpretation of a musical work. The book was published in Polish language in edition of the Foundation for Polish Science (Wroc ? aw University Press, Wroc ? aw 2003) and awarded by the Polish Ministry of National Education (2004).
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The Author : Maciej Go ? ? b is professor of musicology at the University of Wroc ? aw. He specialises in nineteenth and twentieth century music history and theory, Chopin studies and methodology of musicological research. His last monographs include "Chopins Harmonik. Chromatik in ihrer Beziehung zur Tonalität" (Köln 1995) and "Józef Koffler. Compositional Style and Source Documents" (Los Angeles 2004). Since 2003 Maciej Go ? ? b has been head of the Department of Musicology at the University of Wroc ? aw.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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kart. Etat : Wie neu. 1. Aufl. 216 S. : graph. Darst., Noten ; 21 cm Tadelloses Exemplar. - Table of contents -- Introduction 7 -- Chapter 1 Classiflcations of musical work analysis 15 -- 1. The place of analysis within systematisations of musicology 15 -- 2. Analysis and music history 20 -- 3. Analysis and music theory 26 -- 4. Analysis and music aesthetics , 34 -- Chapter 2 Musical work analysis and its sources 43 -- 1. Heuristic objects of analysis: between editorial theory and reception -- history 43 -- 2. Manuscript materials 47 -- 3. Musical prints 52 -- 4. Phonographical documents 75 -- Chapter 3 Musical work analysis and its objects 85 -- 1. Musical substances and latencies in the context of psychophysiological -- theory of cognition 85 -- 2. Simple substances: total epistemological realism 91 -- 3. Complex substances: limited epistemological realism 93 -- 4. Formally constitutive latencies: sceptical realism 95 -- 5. Formally non-constitutive latencies: epistemological 'idealism' 97 -- Chapter 4 Normative musical work analysis 101 -- 1. Substantial objects of analysis: between observation and experiment 101 -- 2. Counting: Meter, rhythm and pitch 104 -- 3. Measurement: Tempo and sound 114 -- 4. Normative analysis and scientific laws 120 -- 5. Normative analysis and historical laws 123 -- Chapter 5 Descriptive musical work analysis 131 -- 1. Ideologies and practices of the musical avant-garde versus ontological -- and epistemological contexts of analysis 131 -- 2. Modernism: logocentric aspects 135 -- 3. First avant-garde: processual aspects 140 -- 4. Modernism outlawed: pragmatic aspects 144 -- 5. Second avant-garde: 'structuraF and formalised aspects 148 -- 6. Post-modernism: syncretic aspects 153 -- Chapter 6 Musical work analysis and its artes interpretandi159 -- 1. What interpretation for analysis? 159 -- 2. Internat and external work interpretation; categories of meaning and -- content 162 -- 3. On some difficulties of passing from analysis to external interpretation -- ononeexample 167 -- 4. On scalar criteria of assessment of the work's autonomous values 174 -- Conclusion 183 -- Bibliography 195 -- Listof illustrations -- Index of names. ISBN 9783631573860 Sprache: Englisch Gewicht in Gramm: 225. N° de réf. du vendeur 1078463
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