Jazz has never been simply music. From its very inception, jazz has been imbued with social meaning. This is what makes this kind of music an interesting field of study not only for the music historian, but also for the sociologist and the cultural historian. In the state socialist countries of East-Central Europe after World War II, jazz acquired a special meaning as a symbol of the American way of life, a symbol of freedom – at least for its admirers. The ruling elites and the establishment regarded jazz as music of the class enemy, a music of social degeneration. These contrasting views on jazz led to hot debates over jazz and the implementation of complicated policies towards jazz music and the jazz scene, which oscillated between affirmation and repression.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Gertrud Pickhan is Professor of East-Central European History at the Institute for East European Studies at Freie Universität Berlin. Rüdiger Ritter has graduated in History of East and East Central Europe and Musicology. Both conduct a research project at Freie Universität Berlin on Jazz under State Socialism.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Jazz has never been simply music. From its very inception, jazz has been imbued with social meaning. This is what makes this kind of music an interesting field of study not only for the music historian, but also for the sociologist and the cultural historian. In the state socialist countries of East-Central Europe after World War II, jazz acquired a special meaning as a symbol of the American way of life, a symbol of freedom - at least for its admirers. The ruling elites and the establishment regarded jazz as music of the class enemy, a music of social degeneration. These contrasting views on jazz led to hot debates over jazz and the implementation of complicated policies towards jazz music and the jazz scene, which oscillated between affirmation and repression. 318 pp. Englisch. N° de réf. du vendeur 9783631591727
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Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Jazz has never been simply music. From its very inception, jazz has been imbued with social meaning. This is what makes this kind of music an interesting field of study not only for the music historian, but also for the sociologist and the cultural historia. N° de réf. du vendeur 116505926
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Buch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -Jazz has never been simply music. From its very inception, jazz has been imbued with social meaning. This is what makes this kind of music an interesting field of study not only for the music historian, but also for the sociologist and the cultural historian. In the state socialist countries of East-Central Europe after World War II, jazz acquired a special meaning as a symbol of the American way of life, a symbol of freedom ¿ at least for its admirers. The ruling elites and the establishment regarded jazz as music of the class enemy, a music of social degeneration. These contrasting views on jazz led to hot debates over jazz and the implementation of complicated policies towards jazz music and the jazz scene, which oscillated between affirmation and repression. 318 pp. Englisch. N° de réf. du vendeur 9783631591727
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Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Jazz has never been simply music. From its very inception, jazz has been imbued with social meaning. This is what makes this kind of music an interesting field of study not only for the music historian, but also for the sociologist and the cultural historian. In the state socialist countries of East-Central Europe after World War II, jazz acquired a special meaning as a symbol of the American way of life, a symbol of freedom - at least for its admirers. The ruling elites and the establishment regarded jazz as music of the class enemy, a music of social degeneration. These contrasting views on jazz led to hot debates over jazz and the implementation of complicated policies towards jazz music and the jazz scene, which oscillated between affirmation and repression. N° de réf. du vendeur 9783631591727
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Buch. Etat : Neu. Jazz Behind the Iron Curtain | Rüdiger Ritter (u. a.) | Buch | Jazz under State Socialism | Englisch | 2011 | Peter Lang | EAN 9783631591727 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu Print on Demand. N° de réf. du vendeur 107065673
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