Memory in postcolonial Italy and Libya has been used, reinterpreted and staged by political powers and the media. This book investigates the roots of myth, colonial amnesia and censorship in postwar Italy, as well as Colonel Gaddafi's deliberate use of rituals, symbols, and the colonial past to shape national identity in Libya. The argument is sustained by case studies ranging among film, documentary, literature and art, shedding new light on how memory has been treated in the two postcolonial societies examined. The last part briefly analyses the identity transformation process in the new Libya.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Stefania Del Monte is a writer, journalist and communication specialist with extensive international experience. She holds a Masters Degree by Research from Royal Holloway University of London and a BA in Communication and Political Sciences.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Memory in postcolonial Italy and Libya has been used, reinterpreted and staged by political powers and the media. This book investigates the roots of myth, colonial amnesia and censorship in postwar Italy, as well as Colonel Gaddafi's deliberate use of rituals, symbols, and the colonial past to shape national identity in Libya. The argument is sustained by case studies ranging among film, documentary, literature and art, shedding new light on how memory has been treated in the two postcolonial societies examined. The last part briefly analyses the identity transformation process in the new Libya. N° de réf. du vendeur LU-9783631661253
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Paperback. Etat : new. Paperback. Memory in postcolonial Italy and Libya has been used, reinterpreted and staged by political powers and the media. This book investigates the roots of myth, colonial amnesia and censorship in postwar Italy, as well as Colonel Gaddafis deliberate use of rituals, symbols, and the colonial past to shape national identity in Libya. The argument is sustained by case studies ranging among film, documentary, literature and art, shedding new light on how memory has been treated in the two postcolonial societies examined. The last part briefly analyses the identity transformation process in the new Libya. Memory in postcolonial Italy and Libya has been widely used, reinterpreted and staged by political powers and the media. This book investigates the roots of myth, colonial amnesia and censorship in postwar Italy, as well as Colonel Gaddafis deliberate use of rituals, symbols, and the colonial past to shape national identity in Libya. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783631661253
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