During the Cold War, jazz became a cultural weapon that was employed by both sides to advance their interests. This volume explores the history and roles of jazz in Poland, the German Democratic Republic (GDR), Czechoslovakia, Hungary, the Soviet Union, and the Baltic States by means of several case studies. The American administration attempted to destabilize the political systems of the Eastern Bloc countries, while the powers responsible for culture in the Eastern Bloc countries tried to curtail the US propaganda campaign. This resulted in distinct jazz traditions and jazz scenes, each governed by a distinct behavioural codex, as well as official responses in each of the Eastern Bloc countries.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Gertrud Pickhan is a Professor of East Central European History at the Institute for East European Studies at Freie Universität Berlin. Rüdiger Ritter holds a PhD in History of East and East Central Europe and Musicology. They have conducted a research project at the Freie Universität Berlin on Jazz under State Socialism.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. During the Cold War, jazz became a cultural weapon that was employed by both sides to advance their interests. This volume explores the history and roles of jazz in Poland, the German Democratic Republic (GDR), Czechoslovakia, Hungary, the Soviet Union, and the Baltic States by means of several case studies. The American administration attempted to destabilize the political systems of the Eastern Bloc countries, while the powers responsible for culture in the Eastern Bloc countries tried to curtail the US propaganda campaign. This resulted in distinct jazz traditions and jazz scenes, each governed by a distinct behavioural codex, as well as official responses in each of the Eastern Bloc countries. N° de réf. du vendeur LU-9783631664094
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Etat : New. During the Cold War, jazz became a cultural weapon that was employed by both sides. In the Eastern Bloc countries, new jazz scenes emerged. This volume explores the history and roles of jazz in Poland, the German Democratic Republic (GDR), Czechoslovakia, Hungary, the Soviet Union, and the Baltic States by means of several case studies. Editor(s): Pickhan, Gertrud; Ritter, Rudiger. Series: Jazz Under State Socialism. Num Pages: 227 pages. BIC Classification: 1DV; 3JJP; AVGJ; HBJD; HBLW3; HBTW; JPFF. Category: (P) Professional & Vocational. Dimension: 155 x 216 x 19. Weight in Grams: 388. . 2015. New edition. Hardcover. . . . . N° de réf. du vendeur V9783631664094
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -During the Cold War, jazz became a cultural weapon that was employed by both sides to advance their interests. This volume explores the history and roles of jazz in Poland, the German Democratic Republic (GDR), Czechoslovakia, Hungary, the Soviet Union, and the Baltic States by means of several case studies. The American administration attempted to destabilize the political systems of the Eastern Bloc countries, while the powers responsible for culture in the Eastern Bloc countries tried to curtail the US propaganda campaign. This resulted in distinct jazz traditions and jazz scenes, each governed by a distinct behavioural codex, as well as official responses in each of the Eastern Bloc countries. 228 pp. Englisch. N° de réf. du vendeur 9783631664094
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