This book focuses on the relationship between identity and music in Europe from different angles. It takes two basic categories into account: identities in music and music in identities. The authors provide studies on identity construction in different historical and geographical contexts. They also evaluate the discourse of popular music in Europe and analyze various topics related to complex and changing concepts of identity, whether it is about an individual composer, issues of style or musical work itself.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Ivana Perkovic is a musicologist and Professor at the Department of Musicology, Faculty of Music, University of Arts, Belgrade. She is member of the International Musicological Society, Serbian Musicological Society and the International Society for Orthodox Church Music. She is vice dean for research and international cooperation at the Faculty of Music.
Franco Fabbri teaches popular music history, analysis and economy at the Conservatory of Parma and the University of Milan. His main interests are genre theories and music typologies, the impact of media and technology across genres and musical cultures, and the history of popular music. He has served twice as chairman of the International Association for the Study of Popular Music (IASPM).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Borkert, Schwarz und Zerfaß GbR, Berlin, Allemagne
Originalhardcover. Etat : Gut. 296 S. Ein gutes und sauberes Exemplar. - Ritta Staneviciùtè, The Velvet Curtain. European Identities and Lithuanian Musical Imagination in the Post-Communist Era -- Malgorzata Janicka-Stysz, Karol Szymanowski and His Concept of Modern Music Culture -- Paulo F. de Castro. From 'Good Other' to 'Ideal Self': Images of Russian Otherness in France and the Iberian Peninsula at the Turn of the 20th Century -- Ivana Perkovic, Ambiguity, Mimicry and War: Alla Turca in Contredanse K 535 by Wolfgang Amadeus Mozart -- Lina Navickaitè-Martinelli, Defining Identity: In Quest of 'Lithuanianness' in Piano Performance Art -- Franco Fabbri, Influence, imitation, and the reshaping of identities in European popular music -- Vesna Mikié, Rock me Lane moje. European Identifications of Transitory Yugoslav/West Balkans' Identities at the Eurovision Song Contest -- Saskia Jaszoltowski, Memory, Spectacle, and the Image of Songs -- Kaire Maimets, The Estonian Singing Revolution: Musematic Insights -- Dragana Stojanovic-Novicic, Short Correspondence between Edgard Varèse and John Cage: Around, about and above 'organized sound' -- Mirjana Veselinovic-Hofman, The Facets of the Decline of Avant-Garde Exclusivity as the Cause of Specific Stylistic Connotations of the Musical Avant-Garde Today -- Marija Masnikosa, Types of Transtextuality in Selected Works of Serbian Musical Postmodernism -- Tijana Popovic Mladjenovié, The Musical Text and the Ontology of the Musical Work. ISBN 9783631672310 Sprache: Englisch Gewicht in Gramm: 536. N° de réf. du vendeur 1124726
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book focuses on the relationship between identity and music in Europe from different angles. It takes two basic categories into account: identities in music and music in identities. The authors provide studies on identity construction in different historical and geographical contexts. They also evaluate the discourse of popular music in Europe and analyze various topics related to complex and changing concepts of identity, whether it is about an individual composer, issues of style or musical work itself. 298 pp. Englisch. N° de réf. du vendeur 9783631672310
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