This book examines performative practices of the ancient Romans, and provides fresh insights into the contexts of the Roman theater. Today the ancient theater is associated more with Greece than with Rome. However, the Romans went to the theater more often than the Athenians. In fact, the entire Eternal City was a vast stage for numerous performances not just by politicians, leaders, orators, and emperors, but also by common citizens. The author suggests that we look at Rome as a theater, one in which everybody, depending on circumstances, could be a performer. This book reconstructs the art of the Roman spectacle, and - based on detailed analyses of rich and varied source materials - extensively discusses the behavior of audiences and the little-known practices of actors, such as the performers of Atellan farces, pantomimes, and mimes. The reader also gains an insight into the most recent research on the Roman theater.
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Miroslaw Kocur is Head of Cultural Studies at the University of Wroclaw and Professor at the Academy of Theater Arts. His research focuses on reconstructing the origins of performing practices. He is the author of «On the Origins of Theater» and «The Second Birth of Theatre: Performances of Anglo-Saxon Monks».
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Vendeur : Borkert, Schwarz und Zerfaß GbR, Berlin, Allemagne
Originalhardcover. Etat : Gut. 436 S. Einband leicht berieben. - This book examines performative practices of the ancient Romans, and provides fresh insights into the contexts of the Roman theater. Today the ancient theater is associated more with Greece than with Rome. However, the Romans went to the theater more often than the Athenians. In fact, the entire Eternal City was a vast stage for numerous performances not just by politicians, leaders, orators, and emperors, but also by common citizens. The author suggests that we look at Rome as a theater, one in which everybody, depending on circumstances, could be a performer. This book reconstructs the art of the Roman spectacle, and based on detailed analyses of rich and varied source materials extensively discusses the behavior of audiences and the little-known practices of actors, such as the performers of Atellan farces, pantomimes, and mimes. The reader also gains an insight into the most recent research on the Roman theater. ISBN 9783631672723 Sprache: Englisch Gewicht in Gramm: 550. N° de réf. du vendeur 1103880
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book examines performative practices of the ancient Romans, and provides fresh insights into the contexts of the Roman theater. Today the ancient theater is associated more with Greece than with Rome. However, the Romans went to the theater more often than the Athenians. In fact, the entire Eternal City was a vast stage for numerous performances not just by politicians, leaders, orators, and emperors, but also by common citizens. The author suggests that we look at Rome as a theater, one in which everybody, depending on circumstances, could be a performer. This book reconstructs the art of the Roman spectacle, and - based on detailed analyses of rich and varied source materials - extensively discusses the behavior of audiences and the little-known practices of actors, such as the performers of Atellan farces, pantomimes, and mimes. The reader also gains an insight into the most recent research on the Roman theater. 438 pp. Englisch. N° de réf. du vendeur 9783631672723
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Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - This book examines performative practices of the ancient Romans, and provides fresh insights into the contexts of the Roman theater. Today the ancient theater is associated more with Greece than with Rome. However, the Romans went to the theater more often than the Athenians. In fact, the entire Eternal City was a vast stage for numerous performances not just by politicians, leaders, orators, and emperors, but also by common citizens. The author suggests that we look at Rome as a theater, one in which everybody, depending on circumstances, could be a performer. This book reconstructs the art of the Roman spectacle, and - based on detailed analyses of rich and varied source materials - extensively discusses the behavior of audiences and the little-known practices of actors, such as the performers of Atellan farces, pantomimes, and mimes. The reader also gains an insight into the most recent research on the Roman theater. N° de réf. du vendeur 9783631672723
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Vendeur : Mispah books, Redhill, SURRE, Royaume-Uni
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