This volume uncovers the rich yet largely overlooked musical worlds of the late nineteenth century, moving beyond established canons to explore everyday practices in homes, schools, churches, theaters, and public spaces. Bringing together transatlantic perspectives from the United States and the German Empire, it reveals how amateur music-making, popular entertainment, minority cultures, and evolving music markets shaped diverse musical lives. By rethinking traditional historiography, the book draws attention to hidden repertoires and social contexts, highlighting the roles of education, urban culture, and networks of performance. It emphasizes cultural inquiry and develops new methodological approaches to studying marginalized practices. Through interdisciplinary dialogue and case studies, it demonstrates how these "invisible" musical cultures were essential to the formation of modern musical life.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Stefanie Acquavella-Rauch is Professor of Musicology at Johannes Gutenberg-Universität Mainz. Her research areas include creative processes, musical practices from the 18th to the 21st century and methods of music research.
Birger Petersen is Professor of Music Theory at Johannes Gutenberg-Universität Mainz. His work focuses on the history of music theory, organ music and contemporary music.
Nico Schüler is University Distinguished Professor of Music Theory and Musicology at Texas State University. His main research interests are interdisciplinary aspects of 19th through 21st century musics and computational music research.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This volume uncovers the rich yet largely overlooked musical worlds of the late nineteenth century, moving beyond established canons to explore everyday practices in homes, schools, churches, theaters, and public spaces. Bringing together transatlantic perspectives from the United States and the German Empire, it reveals how amateur music-making, popular entertainment, minority cultures, and evolving music markets shaped diverse musical lives. By rethinking traditional historiography, the book draws attention to hidden repertoires and social contexts, highlighting the roles of education, urban culture, and networks of performance. It emphasizes cultural inquiry and develops new methodological approaches to studying marginalized practices. Through interdisciplinary dialogue and case studies, it demonstrates how these 'invisible' musical cultures were essential to the formation of modern musical life. 258 pp. Englisch. N° de réf. du vendeur 9783631868690
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Hardcover. Etat : new. Hardcover. This volume uncovers the rich yet largely overlooked musical worlds of the late nineteenth century, moving beyond established canons to explore everyday practices in homes, schools, churches, theaters, and public spaces. Bringing together transatlantic perspectives from the United States and the German Empire, it reveals how amateur music-making, popular entertainment, minority cultures, and evolving music markets shaped diverse musical lives. By rethinking traditional historiography, the book draws attention to hidden repertoires and social contexts, highlighting the roles of education, urban culture, and networks of performance. It emphasizes cultural inquiry and develops new methodological approaches to studying marginalized practices. Through interdisciplinary dialogue and case studies, it demonstrates how these "invisible" musical cultures were essential to the formation of modern musical life. His volume explores overlooked musical cultures of the late 19th century in the United States and the German Empire. It highlights everyday practices, popular forms, and marginalized repertoires, offering new methods to understand how diverse musical lives shaped modern music history. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783631868690
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Hardcover. Etat : new. Hardcover. This volume uncovers the rich yet largely overlooked musical worlds of the late nineteenth century, moving beyond established canons to explore everyday practices in homes, schools, churches, theaters, and public spaces. Bringing together transatlantic perspectives from the United States and the German Empire, it reveals how amateur music-making, popular entertainment, minority cultures, and evolving music markets shaped diverse musical lives. By rethinking traditional historiography, the book draws attention to hidden repertoires and social contexts, highlighting the roles of education, urban culture, and networks of performance. It emphasizes cultural inquiry and develops new methodological approaches to studying marginalized practices. Through interdisciplinary dialogue and case studies, it demonstrates how these "invisible" musical cultures were essential to the formation of modern musical life. His volume explores overlooked musical cultures of the late 19th century in the United States and the German Empire. It highlights everyday practices, popular forms, and marginalized repertoires, offering new methods to understand how diverse musical lives shaped modern music history. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9783631868690
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Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume uncovers the rich yet largely overlooked musical worlds of the late nineteenth century, moving beyond established canons to explore everyday practices in homes, schools, churches, theaters, and public spaces. Bringing together transatlantic perspectives from the United States and the German Empire, it reveals how amateur music-making, popular entertainment, minority cultures, and evolving music markets shaped diverse musical lives. By rethinking traditional historiography, the book draws attention to hidden repertoires and social contexts, highlighting the roles of education, urban culture, and networks of performance. It emphasizes cultural inquiry and develops new methodological approaches to studying marginalized practices. Through interdisciplinary dialogue and case studies, it demonstrates how these 'invisible' musical cultures were essential to the formation of modern musical life. N° de réf. du vendeur 9783631868690
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Hardcover. Etat : new. Hardcover. This volume uncovers the rich yet largely overlooked musical worlds of the late nineteenth century, moving beyond established canons to explore everyday practices in homes, schools, churches, theaters, and public spaces. Bringing together transatlantic perspectives from the United States and the German Empire, it reveals how amateur music-making, popular entertainment, minority cultures, and evolving music markets shaped diverse musical lives. By rethinking traditional historiography, the book draws attention to hidden repertoires and social contexts, highlighting the roles of education, urban culture, and networks of performance. It emphasizes cultural inquiry and develops new methodological approaches to studying marginalized practices. Through interdisciplinary dialogue and case studies, it demonstrates how these "invisible" musical cultures were essential to the formation of modern musical life. His volume explores overlooked musical cultures of the late 19th century in the United States and the German Empire. It highlights everyday practices, popular forms, and marginalized repertoires, offering new methods to understand how diverse musical lives shaped modern music history. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9783631868690
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Buch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -This volume uncovers the rich yet largely overlooked musical worlds of the late nineteenth century, moving beyond established canons to explore everyday practices in homes, schools, churches, theaters, and public spaces. Bringing together transatlantic perspectives from the United States and the German Empire, it reveals how amateur music-making, popular entertainment, minority cultures, and evolving music markets shaped diverse musical lives. By rethinking traditional historiography, the book draws attention to hidden repertoires and social contexts, highlighting the roles of education, urban culture, and networks of performance. It emphasizes cultural inquiry and develops new methodological approaches to studying marginalized practices. Through interdisciplinary dialogue and case studies, it demonstrates how these 'invisible' musical cultures were essential to the formation of modern musical life. 258 pp. Englisch. N° de réf. du vendeur 9783631868690
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Buch. Etat : Neu. Transatlantic Perspectives on Hidden Late 19th Century Music Cultures | Stefanie Acquavella-Rauch (u. a.) | Buch | Methodology of Music Research | Englisch | 2026 | Peter Lang | EAN 9783631868690 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu Print on Demand. N° de réf. du vendeur 135930003
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