This book describes the main characteristics that define the emotion of fear, its dimensions, functions, types, and social and individual meanings. It also shows that fear represents a desire to eliminate the Other and that horror films have their origin precisely in crisis and fear, which gives it a fundamentally xenophobic nature. This is demonstrated in the book through the analysis of the four most important versions of the King Kong myth: 1933, 1976, 2005 and 2017. These versions are the result of the fear of the Other that was generated by particular crises in US society: the stock market crash of 1929, the 1970s energy crisis, 9/11 and the military intervention in Iraq in 2003 and its consequences. These conflicts also led to psychological and sociological effects that created a desire for escape that King Kong's films manifest.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Juan Antonio Roche Cárcel is Professor of Sociology of Culture and the Arts at the University of Alicante (Spain). He is currently President of the Committee for the Sociology of Emotions of the Spanish Federation of Sociology. His research focuses on culture, emotions, visual sociology, arts, cinema, theater and skyscraper architecture, creativity.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book describes the main characteristics that define the emotion of fear, its dimensions, functions, types, and social and individual meanings. It also shows that fear represents a desire to eliminate the Other and that horror films have their origin precisely in crisis and fear, which gives it a fundamentally xenophobic nature. This is demonstrated in the book through the analysis of the four most important versions of the King Kong myth: 1933, 1976, 2005 and 2017. These versions are the result of the fear of the Other that was generated by particular crises in US society: the stock market crash of 1929, the 1970s energy crisis, 9/11 and the military intervention in Iraq in 2003 and its consequences. These conflicts also led to psychological and sociological effects that created a desire for escape that King Kong's films manifest. 212 pp. Englisch. N° de réf. du vendeur 9783631883105
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Softcover, 21 cm. Etat : Wie neu. 212 pp., 13 fig. col., 27 fig. b/w. A good and clean copy. - Summary: This book describes the main characteristics that define the emotion of fear, its dimensions, functions, types, and social and individual meanings. It also shows that fear represents a desire to eliminate the Other and that horror films have their origin precisely in crisis and fear, which gives it a fundamentally xenophobic nature. This is demonstrated in the book through the analysis of the four most important versions of the King Kong myth: 1933, 1976, 2005 and 2017. These versions are the result of the fear of the Other that was generated by particular crises in US society: the stock market crash of 1929, the 1970s energy crisis, 9/11 and the military intervention in Iraq in 2003 and its consequences. These conflicts also led to psychological and sociological effects that created a desire for escape that King Kong's films manifest. - Contents: I. Introduction -- Chapter 1. Starting Hypothesis, Objectives, Theoretical and Methodological Foundations, Fundamental Concepts and Structure of the Book -- 1.1 Starting assumptions and objectives -- 1.2 Theoretical and methodological basis -- 1.3 Fundamental concepts: the social imaginary, crisis, fear and the other -- Chapter 2. Crisis, Fear, and Xenophobia in Horror Cinema -- 2.1. Terror, horror or fantasy films? -- 2.2. Terror films, crisis, and fear -- 2.3. Horror cinema and colonial racism: the monster and the space and time it inhabits -- Chapter 3 Crisis And Fear In King Kong -- 3.1. Crisis or the four American versions of King Kong -- 3.2. Four crises - related to economy, ecology, terrorism, and the military- or Modernity as a crisis -- 3.3. Types of fear provoked by crisis and King Kong -- II. "Terror of History" and "Refuge in Nature" or "Shelter in Cinema" -- Chapter 4. Nostalgia for the Origin -- 4.1. The departure of History towards the island of Nature -- 4.2. Skull Island or the Mystery of Death and Origin -- 4.3. The rites of the tribe, or the return to the same old order, reinforced -- 4.4. The survival of religiousness in the city of skyscrapers -- 4.5. Nostalgia for the origins of New York City -- III. Crisis and Fear of the other in King Kong -- Chapter 5. King Kong and the Internal and External Fear of the Other -- 5.1. King Kong, the feared Other -- Chapter 6. Fear of the Black Race -- 6.1. King Kong's colonial racism -- 6.2. Economic and social racism -- 6.3. King Kong, the black gorilla -- 6.4. The Western Hunter's Voyeurism on the "primitive" colored tribal people -- 6.5. King Kong or the buried impulses of the civilized human being -- 6.6. The evolution towards the coexistence of black and white individuals -- Chapter 7. Male Fear of Women -- 7.1. The female object of male erotic desire: abducted, undressed, and penetrated -- 7.2. The woman as an object of male fear: a permanent problem, a memory of temptation and sin, and a source of war -- 7.3. The battle between Beauty and the Beast, between Nature and Civilization -- 7.4. Continuities and changes in patriarchal thinking as regards women and their bodies -- IV. Epilogue: From the Industrial to the Digital Society, from Modernity to Late Modernity -- Chapter 8. The Crisis, or Where We Come From and Where We are Going -- 8.1. Modernity as a crisis: from the industrial society to a digital one, from Modernity to Late Modernity -- 8.2. Crisis and fear of the Other: the circularity of fear -- 8.3. Fear of the Black Race: the heart of barbarism is just a few minutes away from civilization. -- 8.4. Fear of Women: King Kong versus Instrumental Rationality -- Final coda: the silent scream. ISBN 9783631883105 Sprache: Englisch Gewicht in Gramm: 280. N° de réf. du vendeur 1242465
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Kartoniert / Broschiert. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The four main versions of King Kong dramatize the fear of the Other: women, people of colour, nature, history, and atavistic religiosity. The American imaginary is observed in the King Kong film series. The four King Kong films link American modernity wi. N° de réf. du vendeur 701170551
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Taschenbuch. Etat : Neu. Neuware -This book describes the main characteristics that define the emotion of fear, its dimensions, functions, types, and social and individual meanings. It also shows that fear represents a desire to eliminate the Other and that horror films have their origin precisely in crisis and fear, which gives it a fundamentally xenophobic nature. This is demonstrated in the book through the analysis of the four most important versions of the King Kong myth: 1933, 1976, 2005 and 2017. These versions are the result of the fear of the Other that was generated by particular crises in US society: the stock market crash of 1929, the 1970s energy crisis, 9/11 and the military intervention in Iraq in 2003 and its consequences. These conflicts also led to psychological and sociological effects that created a desire for escape that King Kong's films manifest. 212 pp. Englisch. N° de réf. du vendeur 9783631883105
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