Synopsis
Essay from the year 2004 in the subject Art - Painting, grade: A, School of Oriental and African Studies, University of London (Department of Art and Archeology), course: History of Korean Art, language: English, abstract: In the Chos¿n period (1392-1910), Korean landscape painting flourished. Traditionally strongly bound to a Chinese paradigm, the Korean masters of painting sought to give their works distinctive peculiarities. Especially from the middle of Chos¿n period on, strong tendencies towards "Koreanization" emerged comprising not only arts but all sectors of life. Initially, painting developed slightly different characteristics still within the scope of the paramount Chinese arts such as bolder outlines and coarser brushwork (Pratt, 1995: 43). The painter Ch¿ng S¿n (1676-1759) eventually heralded the turn to a typical Korean style of landscape painting, the so-called "chin'gy¿ng (sansu)", true-view landscape painting. Reaching its peak in the following eighteenth century, this genre depicts the beauty of real Korean countryside using a certain technique which bears distinct features, even though still being geared to Chinese example.
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Chong Son - The development of true-view landscape painting
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Essay from the year 2004 in the subject Art - Painting, grade: A, School of Oriental and African Studies, University of London (Department of Art and Archeology), course: History of Korean Art, language: English, abstract: In the Chos n period (1392-1910), Korean landscape painting flourished. Traditionally strongly bound to a Chinese paradigm, the Korean masters of painting sought to give their works distinctive peculiarities. Especially from the middle of Chos n period on, strong tendencies towards 'Koreanization' emerged comprising not only arts but all sectors of life. Initially, painting developed slightly different characteristics still within the scope of the paramount Chinese arts such as bolder outlines and coarser brushwork (Pratt, 1995: 43). The painter Ch ng S n (1676-1759) eventually heralded the turn to a typical Korean style of landscape painting, the so-called 'chin'gy ng (sansu)', true-view landscape painting. Reaching its peak in the following eighteenth century, this genre depicts the beauty of real Korean countryside using a certain technique which bears distinct features, even though still being geared to Chinese example. 16 pp. Englisch. N° de réf. du vendeur 9783638814348
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Chong Son - The development of true-view landscape painting
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GRIN Verlag, GRIN Verlag Feb 2008, 2008
ISBN 10 : 3638814343
ISBN 13 : 9783638814348
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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -Essay from the year 2004 in the subject Art - Painting, grade: A, School of Oriental and African Studies, University of London (Department of Art and Archeology), course: History of Korean Art, language: English, abstract: In the Chos¿n period (1392-1910), Korean landscape painting flourished. Traditionally strongly bound to a Chinese paradigm, the Korean masters of painting sought to give their works distinctive peculiarities. Especially from the middle of Chos¿n period on, strong tendencies towards ¿Koreanization¿ emerged comprising not only arts but all sectors of life. Initially, painting developed slightly different characteristics still within the scope of the paramount Chinese arts such as bolder outlines and coarser brushwork (Pratt, 1995: 43). The painter Ch¿ng S¿n (1676-1759) eventually heralded the turn to a typical Korean style of landscape painting, the so-called ¿chin¿gy¿ng (sansu)¿, true-view landscape painting. Reaching its peak in the following eighteenth century, this genre depicts the beauty of real Korean countryside using a certain technique which bears distinct features, even though still being geared to Chinese example.BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt 16 pp. Englisch. N° de réf. du vendeur 9783638814348
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Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 2004 in the subject Art - Painting, grade: A, School of Oriental and African Studies, University of London (Department of Art and Archeology), course: History of Korean Art, language: English, abstract: In the Chos n period (1392-1910), Korean landscape painting flourished. Traditionally strongly bound to a Chinese paradigm, the Korean masters of painting sought to give their works distinctive peculiarities. Especially from the middle of Chos n period on, strong tendencies towards 'Koreanization' emerged comprising not only arts but all sectors of life. Initially, painting developed slightly different characteristics still within the scope of the paramount Chinese arts such as bolder outlines and coarser brushwork (Pratt, 1995: 43). The painter Ch ng S n (1676-1759) eventually heralded the turn to a typical Korean style of landscape painting, the so-called 'chin'gy ng (sansu)', true-view landscape painting. Reaching its peak in the following eighteenth century, this genre depicts the beauty of real Korean countryside using a certain technique which bears distinct features, even though still being geared to Chinese example. N° de réf. du vendeur 9783638814348
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Taschenbuch. Etat : Neu. Chong Son - The development of true-view landscape painting | Simone Kraft | Taschenbuch | 16 S. | Englisch | 2008 | GRIN Verlag | EAN 9783638814348 | Verantwortliche Person für die EU: GRIN Publishing GmbH, Waltherstr. 23, 80337 München, info[at]grin[dot]com | Anbieter: preigu Print on Demand. N° de réf. du vendeur 101854356
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