Over the last several years the term place-specificity and its variant, place-specific has occurred frequently in relation to installations, permanent public art works, and public interventions. While place-specificity is now a recognised term, within many texts place-specific is often indiscriminately exchanged with site-specific, implying that the two terms are synonymous. Based on theory and curatorial practice, this research explores a range of perspectives on the role of place-specificity within socially engaged public art practice. The study examines the difference between site and place and how place influences perceptions of specific locations through memory, history and experience and explores place as a subject, an artistic influence, and a social and cultural signifier. The research reflects on the potential of place-specific public art to celebrate unique cultural differences, inspire international collaboration, and provide a forum for local distinctiveness in the face of globalization. The relationships between public art, site, space, and place explored in this work will be of interest to those in the fields of art, geography, cultural studies and architecture.
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Over the last several years the term place-specificity and its variant, place-specific has occurred frequently in relation to installations, permanent public art works, and public interventions. While place-specificity is now a recognised term, within many texts place-specific is often indiscriminately exchanged with site-specific, implying that the two terms are synonymous. Based on theory and curatorial practice, this research explores a range of perspectives on the role of place-specificity within socially engaged public art practice. The study examines the difference between site and place and how place influences perceptions of specific locations through memory, history and experience and explores place as a subject, an artistic influence, and a social and cultural signifier. The research reflects on the potential of place-specific public art to celebrate unique cultural differences, inspire international collaboration, and provide a forum for local distinctiveness in the face of globalization. The relationships between public art, site, space, and place explored in this work will be of interest to those in the fields of art, geography, cultural studies and architecture.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Kartoniert / Broschiert. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Cartiere CameronCameron Cartiere, BFA, MA, PhD: Studied public art and curatorial practice at Chelsea College of Art and Design, University of the Arts London. Dr. Cartiere is a Senior Lecturer and Co-director of the Centre for Media. N° de réf. du vendeur 4970842
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Over the last several years the term place-specificity and its variant, place-specific has occurred frequently in relation to installations, permanent public art works, and public interventions. While place-specificity is now a recognised term, within many texts place-specific is often indiscriminately exchanged with site-specific, implying that the two terms are synonymous. Based on theory and curatorial practice, this research explores a range of perspectives on the role of place-specificity within socially engaged public art practice. The study examines the difference between site and place and how place influences perceptions of specific locations through memory, history and experience and explores place as a subject, an artistic influence, and a social and cultural signifier. The research reflects on the potential of place-specific public art to celebrate unique cultural differences, inspire international collaboration, and provide a forum for local distinctiveness in the face of globalization. The relationships between public art, site, space, and place explored in this work will be of interest to those in the fields of art, geography, cultural studies and architecture. N° de réf. du vendeur 9783639248982
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Taschenbuch. Etat : Neu. RE/PLACING PUBLIC ART | The Role of Place-specificity in New Genre Public Art | Cameron Cartiere | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2010 | VDM Verlag Dr. Müller | EAN 9783639248982 | Verantwortliche Person für die EU: OmniScriptum GmbH & Co. KG, Bahnhofstr. 28, 66111 Saarbrücken, info[at]akademikerverlag[dot]de | Anbieter: preigu. N° de réf. du vendeur 101204317
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